Browse Items (160 total)

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Lower left (l.l.) with brush: McCahon April 54; verso in ballpoint: [framing instructions].

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Married and living with his wife and young son near Nelson in 1946-48, McCahon turned from depicting landscapes to Christian imagery. By synthesizing disparate elements - portraiture, still life and symbolism (the lamp and jug) with words McCahon…

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McCahon felt that the design was: 'a bit too easy'. McCahon gave this sketch to Brown when helping him in his Crummer Road studio during 1979.

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Lower right (l.r.): D.K. MacDiarmid ’45

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Label verso in ball point pen: Doris Lusk. William Collinson. 1434

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Verso composite board backing in felt pen, artist’s hand: Return to Otago. Sept. 1987. Doris Lusk. Oil on canvas; label verso in ballpoint pen, inscribed for donor by Noel Ginn: Return to Dunedin. Series of Doris Lusk paintings. Portrait of Anne…

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19 in The Jack & Ethel McCahon gift to the Hocken Library. McCahon writes: "Doris Lusk. Portrait of C. McC. oil Unsigned & untitled. Late 30s in her Dunedin studio.Above U.F.S. Dispensary opposit City Hotel. c. 17 x 14 Blue Harris tweed coat by H.B.…

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Lower right (l.r.) in ink: A drawing of Te Whiti as a young man for James Mack.

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Upper left (u.l.) & l.r. in pencil: 21; verso in pencil: A14.

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Lower right (l.r.) in pencil: 7; verso in pencil: A14.

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Upper right (u.r.) in black ink: Jeffrey Harris July 1973; verso mount in ballpoint pen: Two bathers Jeffrey Harris Wgtn 1973

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Verso original mount in ballpoint pen: January 1972 Jeffrey Harris [title] painted in Wellington at Mrs Paul’s

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Lower left (l.l.) in pencil: Professor F. Sinclaire; l.r. in pencil: Jas Fitzgerald; on mount: 2/2/- drypoint from life; label verso: Medusa Studio.

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Lower right (l.r.) with brush: R.N. Field, 28. verso: landscape in oils.

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"[Field's] ideas on painting had been influenced by the Post-Impressionists to the extent of allowing heightened colour and a degree of flattening and formal interest in the constructin of the imagery. Anywhere else Field would not have seemed…

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Lower right (l.r.) with brush: I. Field 08; label … Country … [illeg] Mrs W.H. Field

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Margin below image in pencil: 22/25 Self portrait Clairmont ’78

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Lower right with brush: Woollaston; lower centre in pencil: M.T. Woollaston; verso in oil: [ A142, painting by W.H. Allen titled Study of Tui Northey, Dunedin. ca 1928]

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verso original mount: Painted by T. Woollaston 30 Oct 1933 at Ratanui homestead, at that date owned by Mr M. Arthur. This is a sketch of one of his twin sons; label: Darby & Hannan, New Plymouth
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