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One of the designs for [An Introduction to New Zealand Painting 1839-1967 by Gordon H. Brown & Hamish Keith, London, Auckland, Collins 1969.]
Verso in pencil: Colin McCahon. One of the designs for NZ Painting book. G.H.B. Hamish Keith, a series of 45.
Greetings to Mondrian's Chrysanthemum of 1908. Kaipara Flat.
Lower left (l.l.) in pencil: Greetings to Mondrian’s Chrysanthemum of 1908; l.r. in pencil: Colin McCahon August 1971 Kaipara Flat; papermakers chop: Steinbach Malmedy; label: Mollers Gallery.
Truth from the King Country, Load bearing structures. Series 3/4.
Verso with brush: Truth from the King Country. Load bearing structures. 4 3rd Series. Colin McC ’78 Acrylic.
Northland triptych: To know it is to love it.
Part 3 of a 3-part work.
Northland triptych: O New Zealand, why does nobody love you.
Part 2 of a 3-part work.
Northland triptych: Oh God, God, I know what you want.
Part 1 of a 3-part work.
Noughts and crosses, 5.
Lower left (l.l.) with brush C.McC. Jan ’76 Noughts and crosses; l.r.: 5.
Kaipara Flat.
Lower left (l.l.) in pencil: Colin McCahon August ’71; l.r. in pencil: Kaipara Flat; papermakers chop: Steinbach Malmedy.
Deserted whaling station, Brown’s Island.
On mount in ink: The deserted whaling station, Brown’s Isl.ds, Kapiti; in pencil: 3.
Portrait of Alan Pearson in his Lyttelton abode.
Lower right (l.r.) with brush: M.D.S. 91; verso in crayon in Alan Pearson’s hand: Portrait of Alan Pearson in his Lyttelton abode 1991 by M. Smithers
Black window, Port Chalmers.
Framed by Roger Hicken
I heat up, I can’t cool down (Steve Miller).
Lower centre (l.c.) with brush: W. Hammond [title]; verso in crayon: W. Hammond 1985