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[Working drawing for Black Painting].
Upper left (u.l.) in ballpoint pen, crossed out in red fibre tipped pen: Vin dolorossa XIV; through image in pencil: [colour notes].
[Working drawings for Black Paintings. Colour chart].
Lower right (l.r.) in pencil: Hotere: u.l.-l.r. in pencil: green purple blue red orangy yellow red yellow orange green blue violet purple too cramped [numerals].
3 windows, known as Can’t.
Lower left (l.l.) in pencil: Clairmont; l.r. in ballpoint pen, bracketed in blue pencil: (“3 windows)” known as (“Can’t) Oct 76; verso in blue pencil: No 1; verso mount in ballpoint pen: Owner - L. Wilson 10.5.84; label: Bosshard Galleries.…
A day at Murdering Beach with Dibble and Maree.
Lower right (l.r.) in ballpoint pen: Hotere 3-69; l.l. in ink: A day at Murdering Beach with Dibble and Maree; verso labelled: Reserved Rodney Kennedy.
a: Drawing for black painting. b: Pen & ink drawings.
Margin below image l.r. in ballpoint pen: Drawing for Black painting, Hotere; verso: [pen & ink drawings crossed out].
Abstract: print no. 4.
G.H. Brown writes: McCahon described this work to me as 'a sort of Gate', & laughingly said that the title could be Abstract: Gate, but whether that is accurate enough to use as a generic title for the complete set, to which this work belongs, seems…
Black Painting XII from “Malady”, a poem by Bill Manhire.
Verso upper left (u.l.) with brush: Black Painting XII from “Malady”, a poem by Bill Manhire. Hotere, Dunedin 70.
Black painting.
Verso in yellow chalk: Hotere ’69 [title].
Black painting. Blue/indigo no 5.
Verso with brush: top Black painting, blue/indigo (no 5) Hotere ’69 brolite lacqer 4” x 24"; in chalk: 10 of these. 4.
Black painting. Violet/red VII.
Verso: [title] Hotere ’69 Brolite lacquer on board 48” x 24” 5.
Black window, Port Chalmers.
Framed by Roger Hicken
Black window. 7/10.
Margin below image l. - r. in pencil: 7/10 Black Window Hotere Elam 84; watermark: Arches France.
Blue on black.
Upper left (u.l.) & l.r. in pencil: 21; verso in pencil: A14.
Composition.
Incised l.r.: Colin McCahon; verso in pencil: Composition Colin McCahon, ink, oil & watercolour on cardboard with varnish in the possession of Rodney Kennedy Esq painted in 1938.
Drawing 1.
Margin below image right in ballpoint pen: Hotere ’69; verso: [pencil drawing of profile scored out in ballpoint pen and second smaller version alongside]; u.l. in ballpoint pen: With love from Warren & Kere.
Drawing 2.
Margin below image l.r. in pencil: Hotere ’69.
Drawing for Black Painting.
Lower right (l.r.) in pencil: Drawing for Black Painting. Hotere … [illeg]17-4-64; l.r. vertically in red fibre tipped pen: Too complex.
Drawing for Black Painting. R O Y G B I V.
Lower right (l.r.) in pencil: Drawing for Black Painting Hotere 68; u.r. in ballpoint pen: R O Y G B I V [repeated].
Drawing for Black Paintings [1].
Margin below image r. in ballpoint pen: Drawing for Black Paintings Hotere’69.
Drawing for Black Paintings [2].
Margin below image r. in ballpoint pen: Drawing for Black Paintings Hotere ’69.
Drawing for painted glass.
Margin beside image r. in pencil: Drawing for painted glass R.H. 5-73; on image: Introibo ad altare Dei Dominus vobiscum [colour notes].
Drawing for Requiem Series.
Lower right (l.r.) in ink: Drawing for Requiem series Hotere Port Chalmers 1974; on original mount: Rodney, from Ralph & Cilla August ’74.
Drawing.
Lower right (l.r.) in chalk: C.M. ’61.
Drawings for Port Chalmers Paintings: no 1.
Lower right (l.r.) in pencil: Drawings for Port Chalmers Paintings Hotere ’72.
Green on black.
Verso in pencil: A14.