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Ocean Beach, Dunedin.
Lower left (l.l.) with brush: J.T. Thomson 1870; on canvas verso: Ocean Beach, Dunedin 1870; label verso: Ocean Beach from Lawyer’s Head 1870; label frame: J.T. Thomson for exhibition only
Riverton Bay, west side.
Lower left (l.l.) with brush: JTT 1881; label recto: Riverton Bay, west side. 1881; on canvas verso: Riverton Bay, west side. 1881; label verso: T.T. Thomson for exhibition only
Bamborough [Bamburgh] Northumberland in 1854.
Lower left (l.l.) with brush: J.T. Thomson 1869; on canvas verso: Bamborough - Northumberland in 1854. 1869; label recto: Bamborough
Rockyside, Caversham.
Lower left (l.l.) with brush: J.T. Thomson 1868; on canvas verso: Rockyside Caversham 1868
Abbey St Bathan’s House, Berwickshire, Scotland 1878.
Lower left (l.l.) incised: J.T. Thomson 1873; on canvas verso: Abbey St Bathan’s House, Berwickshire, Scotland 1878
Lawyer’s Head from above St Clair.
Lower left (l.l.) with brush: E Anscombe July 1891; verso: artist’s name & title on torn label
May Queen (sailing ship). 1880s.
Lower right (l.r.): C. Sommers; on typed label taped to support: Popular with passengers, this 736 ton barque made at least 16 trips to New Zealand. On her last voyage she ran upon a reef at Lyttelton Harbour on January 27, 1888. No lives were lost…
Wreck of the Lastingham. ca 1880.
Lower right (l.r.) with brush: C. Sommers.
Janine.
Verso: MDS 70; verso frame: oil on hardboard Janine
Portrait of Elizabeth Smither.
Lower right (l.r.) with brush: MDS 72; on label: 287 (18.11.75) Smither portrait oil; stamp: Peter McLeavey Art Dealer Wellington 1975; inscribed: 1975 Exhib cat. 4
Springtime in Pukekura Park, New Plymouth.
Lower left (l.l.): M.D. Smither 65-70
Portrait of Hurky Moon.
Upper left (u.l.) with brush: M.D. Smither 1962; verso: [notes about work by artist]
Evening, Thorndon.
Lower right (l.r.): Rita Angus
The New Zealand chiefs in Wesley’s House.
Lower left (l.l.) with brush: J. Smetham 1863; on frame: The New Zealand chiefs in Wesley's house. James Smetham 1863.
Ettrick Shepherd (James Hogg).
Previously dated as ca 1832, however the work is listed as being shown in 1829 in the Royal Scottish Academy Exhibitors 1826-1990.
Queenstown.
Verso in pencil: No 3 Queenstown no 3 £11-11-0 Evelyn Page; verso in ink in Dr Brasch’s hand: Charles Brasch
St Clair beach, Dunedin, New Zealand.
Lower right (l.r.) with brush in red paint: G.P. [ligated, vertical] Nerli; label: St Clair Beach, Dunedin, N.Z. [undated press clipping about Nerli]; label: Fisher & Son, Christchurch; label: 146
Street scene.
Subject once thought to be a view in Dunedin, but now thought, by Margaret Taylor, to be a street in Ballarat, Australia. Title taken from work exhibited in the New Zealand & South Seas Exhibition Dunedin, 1889-90. panel is from cigar box.
Pohutukawa tree, tide out.
Lower left (l.l.) with brush: C.Mc. ’58, Feb.; u.l. with brush: Pohutukawa tree, tide out.
Harbour Cone from Peggy’s Hill.
09 in The Jack & Ethel McCahon gift to the Hocken LibraryMcCahon writes: "Otago Peninsula oil 28 x 48. Signed lower right. Colin McCahon 1939".
Nelson Hills 3.
08 in The Jack & Ethel McCahon gift to the Hocken LibraryMcCahon writes: "Right. Nelson Hills. oil Feb 48. c 14 x 20. Signed lower left".
Crucifixion.
Frequently exhibited with variant title, Crucifixion with lamp 1947.
[The choir.]
Lower right (l.r.) with brush: D. Lusk 1955