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[Working drawing for Black Painting].
Upper left (u.l.) in ballpoint pen, crossed out in red fibre tipped pen: Vin dolorossa XIV; through image in pencil: [colour notes].
Drawing for Black Painting.
Lower right (l.r.) in pencil: Drawing for Black Painting. Hotere … [illeg]17-4-64; l.r. vertically in red fibre tipped pen: Too complex.
Working drawings for Black Paintings. Zero is round, zero is black, zero is zero.
Lower right (l.r.) in pencil: Working drawings for Black Paintings. Hotere ’65; l.c. in pencil: Drawings for black paintings. Zero is round, zero is black, zero is zero; u.c. in pencil: too small - zero is round; l.l. in pencil: crap; l.l. in…
Working drawings for Black Paintings. All is black and there is no black (Suzuki).
Lower right (l.r.) in pencil: Working drawings for Black Paintings. Hotere ’69; C. in red fibre tipped pen: delete; l.c. in red fibre tipped pen: All is black and there is no black? (Suzuki).
Working drawing for Stations of the Cross.
Lower right (l.r.) in pencil: Working drawing for Stations of the Cross. Hotere; l.c. in ballpoint pen: Jeffrey Harris, 9 Cashmere View Rd, Christchurch; through image: [numerals & colour notes].
Black painting. Violet/red VII.
Verso: [title] Hotere ’69 Brolite lacquer on board 48” x 24” 5.
[Woman.]
Lower left (l.l.) in ink: Hotere 69; verso mount in ballpoint pen: The Garden Party. P. France 1976; verso mount in fibre tipped pen: Hocken Library.
Untitled.
Lower right (l.r.) in pencil: Hotere ’69.
Drawing 2.
Margin below image l.r. in pencil: Hotere ’69.
Drawing 1.
Margin below image right in ballpoint pen: Hotere ’69; verso: [pencil drawing of profile scored out in ballpoint pen and second smaller version alongside]; u.l. in ballpoint pen: With love from Warren & Kere.
Black painting. Blue/indigo no 5.
Verso with brush: top Black painting, blue/indigo (no 5) Hotere ’69 brolite lacqer 4” x 24"; in chalk: 10 of these. 4.
a: Drawing for black painting. b: Pen & ink drawings.
Margin below image l.r. in ballpoint pen: Drawing for Black painting, Hotere; verso: [pen & ink drawings crossed out].
Vence, Alpes Maratine, France.
Upper left (u.l.) in pencil: Hotere, Vence, Alpes Maratine, France. ’62; verso original mount: Rodney, happy birthday, Ralph & Maree VIII ’71.
Maroon/olive drawing for Black Paintings.
Lower right (l.r.) in pencil: Maroon/olive drawing for Black Paintings 69 Hotere; verso original mount in pencil: Maroon & olive drawing for Black Painting Hotere; verso in red crayon: 34.
Drawing for Black Paintings [2].
Margin below image r. in ballpoint pen: Drawing for Black Paintings Hotere ’69.
Untitled drawing from Murdering Beach series.
Verso lower centre (l.c.) in pencil: Ralph Hotere Untitled drawing from Murdering Beach series. 1969.
A day at Murdering Beach with Dibble and Maree.
Lower right (l.r.) in ballpoint pen: Hotere 3-69; l.l. in ink: A day at Murdering Beach with Dibble and Maree; verso labelled: Reserved Rodney Kennedy.
Black painting.
Verso in yellow chalk: Hotere ’69 [title].
Drawing for Black Paintings [1].
Margin below image r. in ballpoint pen: Drawing for Black Paintings Hotere’69.
Woman, Nice, C
Lower right (l.r.) in ink: Hotere Nice, C
Woman (study 1).
Lower left (l.l.) ink: Hotere; label: R. Hotere Woman study 1 no 48 [erased] 1131.
Mountain at sunset.
Lower right (l.r.) with brush in blue paint: Woollaston; verso in fibre tipped pen: 64/100 Mountain at sunset. M.T. Woollaston; verso in green fibre tipped pen: 75gns; label: Woo 12; 2nd label: T. Woollaston oil Mountain of [superimposed to read] at…
Desert with mauve hill.
Lower right (l.r.) with brush: M.D. Smither 69
Grandad looks at the baby.
Lower left (l.l.) in pencil: M.D. Smither, 67
