Browse Items (197 total)

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A.cover: 15 drawings Colin McCahon December ’51 to May ’52; title page: for Charles Brasch from Colin McCahon 1952; b. The cup; c. This is a cold land; d. Light candles against the oncoming dark; f. The word was made flesh and dwelt amongst us.…

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Lower right (l.r.) in ink: Hoeing tobacco.

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Lower centre (l.c.) in ink: Colin McCahon 1940.

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16 in The Jack & Ethel McCahon gift to the Hocken LibraryMcCahon writes: "Catherine Anne McCahon, 6 weeks old today, Thursday, May 17 Blue Black ink drawing. Signed Colin McCahon. 7" x 5""

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11 in The Jack & Ethel McCahon gift to the Hocken LibraryMcCahon writes: "Kelp. Low tide. watercolour. Signed l. left. C McCahon 7" x 8 1/5"".

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Lower right (l.r.) with brush: C.McC.

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05 in The Jack & Ethel McCahon gift to the Hocken LibraryMcCahon writes: "on right. 4YA. Highcliffe [sic] Otago Peninsular [sic] c. 9 x 11 1/2. (Varnished with theatrical spirit gum (for sliding on boards etc) C.McC" Dated by Luit Bieringa.

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22 in The Jack & Ethel McCahon gift to the Hocken LibraryMcCahon writes: "Colin McCahon. on left. Durville island taken from Ruby bay. initialled C.M. lower l. c. 7 1/2 x 9 1/2. crayon".

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Margin above image u.l. - u.r. in pencil: D’Urville Island from Ruby Bay 1945; u.r. in pencil: Colin McCahon; l.r. in crayon: McCahon.

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07 in The Jack & Ethel McCahon gift to the Hocken LibraryMcCahon writes: "Left. Ruby Bay. c. 8 x 10 1/5 1936."

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12 in The Jack & Ethel McCahon gift to the Hocken LibraryMcCahon writes: "Landscape from North end of Tomahawk beach, Dunedin. 9 3/4 x 11 1/2. watercolour. Signal hill in distance. These two date mid 30s - the bottom one I like-"

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32 in The Jack & Ethel McCahon gift to the Hocken LibraryMcCahon writes: "Colin McCahon - Saddle Hill watercolour c. 1937-38"

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Lower left (l.l.) in pencil: C.McC; u.l. in pencil: Te Whiti; inscribed throughout.

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Lower left (l.l.) in pencil: C.McC; u.l. in pencil: Te Whiti; l.c. in pencil: To be hung like this.

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Lower left (l.l.) in pencil: C.McC; u.l. in pencil: Te Whiti; u.c. in pencil: As I pass the border, how can I forbear from turning back my head, Hsu Lan [jottings throughout].

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Upper centre (u.c.): A piece of Muriwai canvas; c.: Wall of death.

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Inscribed throughout. Verso reproductions of paintings.

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Verso each pair in pencil: A B C D [respectively].

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This is one of McCahon's major works of the mid-1970s, along with the Urewera Mural, the Blind series, and the Parihaka Triptych. It has several motivations and triggers. The primary one is the shining cuckoo's song, spoken of in a Maori poem passed…

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Lower left (l.l.) in ballpoint pen: C.McCahon The Glass Menagerie 1956.

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Lower left (l.l.) in ballpoint pen: C. McCahon, 1956; l.c. in ballpoint pen: Final version; u.l. in charcoal: The Glass Menagerie; verso in pencil & red ballpoint pen: [production memoranda]

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Lower left (l.l.) in ballpoint pen: A gentleman calls; l.c. in ballpoint pen: The Glass Menagerie; l.r. in ballpoint pen: C.McCahon 1956; verso in pencil: door [unfinished pencil sketch]

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Lower left (l.l.) in ballpoint pen: C.McCahon The Glass Menagerie 1956; verso: [unfinished pencil sketch]

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Lower left (l.l.) in ballpoint pen: The Glass Menageries 1956; l.c. in ballpoint pen: C. McCahon; through image in ballpoint pen: [various inscriptions]

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Lower left (l.l.) in ballpoint pen: C. McCahon; l.c. in ballpoint pen: The Glass Menagerie 1956; u.c. in ballpoint pen: Cyclorama [variously inscribed throughout]
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