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- Type is exactly "Pencil works"
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Working drawings for three paintings of the Otago Peninsula. From Portobello?
Lower right (l.r.) in pencil: McCahon ’40; margin r. in pencil: from Portobello?; u.r.: [paper manufacturer’s printed inscription].
Working drawings for three paintings of the Otago Peninsula. Saddle Hill.
Lower centre (l.c.) in pencil: Saddle Hill. C. McCahon 1939.
Working drawings for three paintings of the Otago Peninsula. Drawing for the Fleischl picture.
Lower left (l.l.) in pencil: McCahon; c.l. in pencil: Peninsula. Little Harbour Cone & sandspit across Papanui Inlet; l.r. in pencil: drawing for the Fleischl picture.
Working drawings for three paintings of the Otago Peninsula. Mount Charles.
Lower left (l.l.) in pencil: Mount Charles C. McCahon 1940 [paper manufacturer’s printed inscription].
Working drawings for three paintings of the Otago Peninsula.
Shows observatory and Ravensbourne wharf.
Window for Te Puke, upper and lower frames.
(1.:) l.c.: title, Colin McCahon. August 20-21, 70; u.c.: upper frame; glazier’s instructions inscribed throughout; verso on unattached card backing: Colin McCahon, title, To be hung over no 2. (2.:) l.c.: title, actual size, lower panel, Colin…
Sketch for Window.
McCahon felt that the design was: 'a bit too easy'. McCahon gave this sketch to Brown when helping him in his Crummer Road studio during 1979.
Rodney Kennedy with “Vicarage Bed”, painting by Anne Hamblett (circa 1937).
Lower right (l.r.) in pencil: D. Lusk 1979; verso mount in ink: Rodney Kennedy with “Vicarage Bed”, painting by Anne Hamblett (circa 1937) McCahon. Doris Lusk. June 1979. w/colour pencil; in pencil unknown hand: Please leave attached. Holland;…
Working drawing for Malady.
Margin below image lower left (l.l.) in pencil: Wont work; margin below image c. - r. in ballpoint pen: Working drawing for Malady Hotere '70
Working drawing for Malady.
Lower left (l.l.) in ballpoint pen: Drawing for Malady; l.r. in ballpoint pen: Hotere ’70
Working drawing for Malady.
Lower left (l.l.) in ballpoint pen: Working drawing for Malady Hotere ’70
Working drawing for Malady.
Lower centre (l.c.) in ballpoint pen: Working drawing for Malady; l.r. in ballpoint pen: Hotere ’70
Working drawing for Malady.
Lower centre (l.c.) in ballpoint pen: Drawing for Malady; l.r. in ballpoint pen: Hotere ’70
Working drawing for Malady.
Lower centre (l.c.) in ballpoint pen: Drawing for Malady; l.r. in ballpoint pen: Hotere '70; verso mount: Hotere '70.
The temptations of Œedipus by Baxter [set design].
Lower centre (l.c.) in pencil: Set design for Baxter
The temptations of Œdipus by Baxter [set design].
Lower left (l.l.) in pencil: The temptations of Oedipus
The temptations of Œdipus by Baxter [costume design. For female figure [Fury].
Centre right (c.r.) in pencil: silver & gold bands
Working drawings.
Lower left (l.l.) in pencil: Working drawings. Hotere
[Working drawings for Black Paintings. Colour chart].
Lower right (l.r.) in pencil: Hotere: u.l.-l.r. in pencil: green purple blue red orangy yellow red yellow orange green blue violet purple too cramped [numerals].
Preliminary drawings for Black Paintings.
Lower centre (l.c.) in pencil: Preliminary drawings for Black Paintings. Hotere; through image in pencil: [numerals]; verso in ink: [unfinished sketch].
Working drawing for Stations of the Cross.
Lower right (l.r.) in pencil: Working drawing for Stations of the Cross. Hotere; l.c. in ballpoint pen: Jeffrey Harris, 9 Cashmere View Rd, Christchurch; through image: [numerals & colour notes].
Drawing for painted glass.
Margin beside image r. in pencil: Drawing for painted glass R.H. 5-73; on image: Introibo ad altare Dei Dominus vobiscum [colour notes].
Drawings for Port Chalmers Paintings: no 1.
Lower right (l.r.) in pencil: Drawings for Port Chalmers Paintings Hotere ’72.
Working drawing for Malady.
Lower centre (l.c.) in ballpoint pen: Drawing for Malady; l.r. in ballpoint pen: Hotere ’70
Working drawing for Malady.
Lower centre (l.c.) in ballpoint pen: Drawing for Malady Hotere ’70