Browse Items (154 total)
Sort by:
Woman.
Lower right (l.r.) in pencil: Hotere 70 70; verso in ballpoint pen: Woman. Ralph Hotere Dunedin 1970; label verso mount: Tinakori Gallery…
Woman resting.
verso: [landscape 78/253]
View of part of Dunedin from Stafford St, with the upper Harbour, November 1851.
Lower left (l.l.) - l.r. in ink: Back of Cap Cargillís old house in Princes St to which Otago Witness office was removed in 1861 & where first number of Daily Times was printed. Looking across to Waverley, section at back occupied in the sixties by…
Upper Moutere.
Lower left (l.l.) in ink: Upper Moutere; verso mount in pencil: MT Woollaston Nelson 2 landscapes - Upper Moutere & Motueka 6 gns Made 1944. These 2 drawings were exhibited Chch Group 1945. Lower one is of a hop kiln & mountain at at Motueka; label:…
Untitled.
Ruth Dallas wrote: 'When Janet Paul was considering publishing 'Song for a Guitar' she suggested the book should contain drawings by her daughter Joanna Paul. We discussed the enclosed drawings by letter. She was unable to go on with the…
Untitled.
Ruth Dallas wrote: 'When Janet Paul was considering publishing 'Song for a Guitar' she suggested the book should contain drawings by her daughter Joanna Paul. We discussed the enclosed drawings by letter. She was unable to go on with the…
Untitled.
Ruth Dallas wrote: 'When Janet Paul was considering publishing 'Song for a Guitar' she suggested the book should contain drawings by her daughter Joanna Paul. We discussed the enclosed drawings by letter. She was unable to go on with the…
Untitled.
Ruth Dallas wrote: 'When Janet Paul was considering publishing 'Song for a Guitar' she suggested the book should contain drawings by her daughter Joanna Paul. We discussed the enclosed drawings by letter. She was unable to go on with the…
Untitled.
Ruth Dallas wrote: 'When Janet Paul was considering publishing 'Song for a Guitar' she suggested the book should contain drawings by her daughter Joanna Paul. We discussed the enclosed drawings by letter. She was unable to go on with the…
Untitled.
Ruth Dallas wrote: 'When Janet Paul was considering publishing 'Song for a Guitar' she suggested the book should contain drawings by her daughter Joanna Paul. We discussed the enclosed drawings by letter. She was unable to go on with the…
Untitled.
Ruth Dallas wrote: 'When Janet Paul was considering publishing 'Song for a Guitar' she suggested the book should contain drawings by her daughter Joanna Paul. We discussed the enclosed drawings by letter. She was unable to go on with the…
Untitled.
Ruth Dallas wrote: 'When Janet Paul was considering publishing 'Song for a Guitar' she suggested the book should contain drawings by her daughter Joanna Paul. We discussed the enclosed drawings by letter. She was unable to go on with the…
Untitled drawing from Murdering Beach series.
Verso lower centre (l.c.) in pencil: Ralph Hotere Untitled drawing from Murdering Beach series. 1969.
Three Maoris, two seated, one lying down.
Verso in pencil: 5.
Three Maoris seated in front of a whare.
Lower right (l.r.) in pencil: J Merrett 1850; verso in pencil: 4 X.
The wife of the artist.
Verso original mount: Sleeping woman [crossed out] Woman sleeping. £5.5.0 M.T. Woollaston, Mapua. The wife of the artist 1947
The Wake VIII
13. VIII; Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” VIII; verso: rejected version
The Wake VII
11. VII; Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” VII
The Wake VI
9. VI; Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” VI
The Wake V
8. V; Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” V
The Wake IX
14. IX; Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” IX; verso: rejected version
The Wake IV
7. IV; Lower right: McCahon ’58; margin below: John Caselberg, “The Wake” IV
The Wake III
6. III; Lower left.: McCahon ’58; margin below: John Caselberg, “The Wake” III; verso: rejected version
The Wake II
5. II; Lower left.: McCahon ’58; margin below: John Caselberg, “The Wake” II
The Wake I
3. I: Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” I; verso: rejected version