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Working drawing for Malady.
Lower left (l.l.) in ballpoint pen: Drawing for Malady; l.r. in ballpoint pen: Hotere ’70
Working drawing for Malady.
Lower left (l.l.) in ballpoint pen: Working drawing for Malady Hotere ’70
Working drawing for Malady.
Lower centre (l.c.) in ballpoint pen: Working drawing for Malady; l.r. in ballpoint pen: Hotere ’70
Working drawing for Malady.
Lower centre (l.c.) in ballpoint pen: Drawing for Malady; l.r. in ballpoint pen: Hotere '70; l.l. in ballpoint pen: This wont work.
Working drawing for Malady.
Lower right (l.r.) in ballpoint pen: Drawing for Malady Hotere '70.
Working drawing for Malady.
Lower centre (l.c.) in ballpoint pen: Drawing for Malady; l.r. in ballpoint pen: Hotere ’70
Working drawing for Malady.
Lower centre (l.c.) in ballpoint pen: Drawing for Malady; l.r. in ballpoint pen: Hotere '70; verso mount: Hotere '70.
Sun - love poem 2.
Lower right (l.r.) in pencil: Drawing for a love poem by Warren Dibble Hotere ’65; through image in pencil: Let me live on your wrist. Hood me with a habit spun of your love and I shall fly, no hawk but an Icarus, to the darkness inside your sun.
Sun - love poem 1.
Lower left (l.l.) in pencil: Drawing for a love poem by Warren Dibble Hotere ’65; through image in pencil: Let me live on your wrist. Hood me with a habit spun of your love and I shall fly, no hawk but an Icarus, to the darkness inside your sun.
The temptations of Œedipus by Baxter [set design].
Lower centre (l.c.) in pencil: Set design for Baxter
The temptations of Œdipus by Baxter [set design].
Lower left (l.l.) in pencil: The temptations of Oedipus
The temptations of Œdipus by Baxter [costume design. For female figure [Fury].
Centre right (c.r.) in pencil: silver & gold bands
The temptations of Œdipus by Baxter [costume design. For female figure [Fury].
Centre right (c.r.) in ballpoint pen: Broad ledge- exit Oedipus, Antigone entrance 2 women citizens - 1st scene; verso: [stage set crossed out] Oedipus
Working drawings.
Lower left (l.l.) in pencil: Working drawings. Hotere
[Working drawings for Black Paintings. Colour chart].
Lower right (l.r.) in pencil: Hotere: u.l.-l.r. in pencil: green purple blue red orangy yellow red yellow orange green blue violet purple too cramped [numerals].
Preliminary drawings for Black Paintings.
Lower centre (l.c.) in pencil: Preliminary drawings for Black Paintings. Hotere; through image in pencil: [numerals]; verso in ink: [unfinished sketch].
Drawing for Black Painting. R O Y G B I V.
Lower right (l.r.) in pencil: Drawing for Black Painting Hotere 68; u.r. in ballpoint pen: R O Y G B I V [repeated].
[Working drawing for Black Painting].
Upper left (u.l.) in ballpoint pen, crossed out in red fibre tipped pen: Vin dolorossa XIV; through image in pencil: [colour notes].
Drawing for Black Painting.
Lower right (l.r.) in pencil: Drawing for Black Painting. Hotere … [illeg]17-4-64; l.r. vertically in red fibre tipped pen: Too complex.
Working drawings for Black Paintings. Zero is round, zero is black, zero is zero.
Lower right (l.r.) in pencil: Working drawings for Black Paintings. Hotere ’65; l.c. in pencil: Drawings for black paintings. Zero is round, zero is black, zero is zero; u.c. in pencil: too small - zero is round; l.l. in pencil: crap; l.l. in…
Working drawings for Black Paintings. All is black and there is no black (Suzuki).
Lower right (l.r.) in pencil: Working drawings for Black Paintings. Hotere ’69; C. in red fibre tipped pen: delete; l.c. in red fibre tipped pen: All is black and there is no black? (Suzuki).
Working drawing for Stations of the Cross.
Lower right (l.r.) in pencil: Working drawing for Stations of the Cross. Hotere; l.c. in ballpoint pen: Jeffrey Harris, 9 Cashmere View Rd, Christchurch; through image: [numerals & colour notes].
Drawing for painted glass.
Margin beside image r. in pencil: Drawing for painted glass R.H. 5-73; on image: Introibo ad altare Dei Dominus vobiscum [colour notes].
Drawing 2.
Margin below image l.r. in pencil: Hotere ’69.