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Game of chess, Ralph Hotere.
Lower right (l.r.) in pencil: JP 70 [circled] ; verso in pencil: XVI (V) 10 x 8
Untitled.
Ruth Dallas wrote: 'When Janet Paul was considering publishing 'Song for a Guitar' she suggested the book should contain drawings by her daughter Joanna Paul. We discussed the enclosed drawings by letter. She was unable to go on with the…
Untitled.
Ruth Dallas wrote: 'When Janet Paul was considering publishing 'Song for a Guitar' she suggested the book should contain drawings by her daughter Joanna Paul. We discussed the enclosed drawings by letter. She was unable to go on with the…
Untitled.
Ruth Dallas wrote: 'When Janet Paul was considering publishing 'Song for a Guitar' she suggested the book should contain drawings by her daughter Joanna Paul. We discussed the enclosed drawings by letter. She was unable to go on with the…
Untitled.
Ruth Dallas wrote: 'When Janet Paul was considering publishing 'Song for a Guitar' she suggested the book should contain drawings by her daughter Joanna Paul. We discussed the enclosed drawings by letter. She was unable to go on with the…
Untitled.
Ruth Dallas wrote: 'When Janet Paul was considering publishing 'Song for a Guitar' she suggested the book should contain drawings by her daughter Joanna Paul. We discussed the enclosed drawings by letter. She was unable to go on with the…
Untitled.
Ruth Dallas wrote: 'When Janet Paul was considering publishing 'Song for a Guitar' she suggested the book should contain drawings by her daughter Joanna Paul. We discussed the enclosed drawings by letter. She was unable to go on with the…
Untitled.
Ruth Dallas wrote: 'When Janet Paul was considering publishing 'Song for a Guitar' she suggested the book should contain drawings by her daughter Joanna Paul. We discussed the enclosed drawings by letter. She was unable to go on with the…
Untitled.
Ruth Dallas wrote: 'When Janet Paul was considering publishing 'Song for a Guitar' she suggested the book should contain drawings by her daughter Joanna Paul. We discussed the enclosed drawings by letter. She was unable to go on with the…
[Maori portrait: man in cloak. 1850] Maori portrait: man in cloak.
Verso in pencil: 6.
Group of Maori Women
Lower right (l.r.)in ink: J. Merrett; verso: 1.
Three Maoris seated in front of a whare.
Lower right (l.r.) in pencil: J Merrett 1850; verso in pencil: 4 X.
Three Maoris, two seated, one lying down.
Verso in pencil: 5.
Group of Maoris.
Lower right (l.r.) in ink: J. Merrett.
Maori game of poi.
Lower left (l.l.) - l.r. in ink: Maori game of poi, by J.J. Merritt [sic].
Pah of Oinamutu on the Rotorua Lake.
On mount in ink in Dr Hocken’s hand: The pah of Oinamutu on the Rotorua Lake. The carvings in this pah are particularly fine; verso mount in ink: The pah of Oinamutu on the Rotorua Lake. The carvings in this pah are particularly fine.
The Wake for Thor : Panel 16
16. no text - kauri; Lower left.: McCahon ’58.
The Wake for Thor : Panel 15
15. no text - kauri
The Wake IX
14. IX; Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” IX; verso: rejected version
The Wake VIII
13. VIII; Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” VIII; verso: rejected version
The Wake for Thor : Panel 12
12. no text - kauri; Lower left: McCahon ’58
The Wake VII
11. VII; Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” VII
The Wake for Thor : Panel 10
10. no text - kauri; Lower left: McCahon ’58
The Wake VI
9. VI; Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” VI
The Wake V
8. V; Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” V