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Sangro, a rosary of olive trees, landscape of windswept manuka.
Lower left (l.l.): Hotere Avignon ’78; Sangro, a rosary of olive trees, landscape of windswept manuka from a poem by Cilla
Drawing for O.E. Middleton
Upper right (u.r.) in pencil: Hotere
Drawing for O.E. Middleton
Upper right (u.r.) in pencil: Hotere
Drawing for O.E. Middleton
Upper right (u.r.) in pencil: Hotere
Drawing for O.E. Middleton
Upper right (u.r.) in pencil: Hotere
Drawing for O.E. Middleton
Upper left (u.l.) in pencil: Hotere
Drawing for O.E. Middleton
Upper left (u.l.) in pencil Drawing for O.E.M.
Drawing for O.E. Middleton
Upper right (u.r.) in pencil: Hotere
Drawing for O.E. Middleton
Upper left (u.l.) in pencil: Drawing for O.E.M.
Drawing for O.E. Middleton
Upper right (u.r.) in pencil: Hotere
Drawing for O.E. Middleton
Upper right (u.r.) in pencil: 5
Confessions of an Ocelot and Not for a Seagull, O.E. Middleton. John McIndoe.
Through image in charcoal: Red Band. Cover design for O.E. Middleton. O.E.M. in red band. Black through spine. Hotere 77/78. Cover Design for O.E.M.; through image with brush: O.E. Middleton. Confessions of an Ocelot and [retraced in charcoal to…
[Confessions of an Ocelot and Not for a Seagull, O.E. Middleton. John McIndoe.]
Verso in charcoal: Photoplate. Cover design for O.E. Middleton. Hotere 77/78 Return to; verso in ballpoint pen: Use this for cover. 3/20 42B %
Confessions of an Ocelot and Not for a Seagull, O.E. Middleton. John McIndoe.
Through image in pencil: Dear Brian Turner, Re Ted's cover, Please get your designer to use the same typeface as 'Selected Stories' except 'and' and 'O.E. Middleton' which should be proportionally smaller case (see rough) Smaller case. The black…
Drawing for Ian Wedde
Lower centre (l.c.) - lower right (l.r.) in ink: Drawing for Ian Wedde
David Edward Hutton, eldest son of the artist.
Donor requested acknowledgement on painting to read: David Edward Hutton, eldest son of the artist. Painted 1873 by David Con Hutton. Presented 1955 by the granddaughters of the artist, Sheila and Kathleen.
Mr John McGlashan, secretary in Scotland for the Otago settlement.
With brush: [title] Painted by John Irvine from a photograph six years before his death
Portrait of Vivien Oakden.
Lower left (l.l.) with brush: Grace J. Joel.
Lyttelton Harbour.
Lower right (l.r.) in ink: D. Lusk 1961; in red ballpoint pen: A
Tahunanui, Nelson.
Lower right (l.r.) with brush in red paint: G.P. [ligated, vertical] Nerli; label: St Clair Beach, Dunedin, N.Z. [undated press clipping about Nerli]; label: Fisher & Son, Christchurch; label: 146 with brush: D. Lusk ’47; verso with brush:…
Onekaka Estuary.
Lower right (l.r.) with brush: D. Lusk 1966; verso frame: Oil sketch Onekaka Estuary Doris Lusk Jan. 1966; verso in another hand: Hocken Library; stamp: A.S. Hall
Portrait of Colin McCahon.
19 in The Jack & Ethel McCahon gift to the Hocken Library. McCahon writes: "Doris Lusk. Portrait of C. McC. oil Unsigned & untitled. Late 30s in her Dunedin studio.Above U.F.S. Dispensary opposit City Hotel. c. 17 x 14 Blue Harris tweed coat by H.B.…
Return to Otago. Sept. 1987.
Verso composite board backing in felt pen, artist’s hand: Return to Otago. Sept. 1987. Doris Lusk. Oil on canvas; label verso in ballpoint pen, inscribed for donor by Noel Ginn: Return to Dunedin. Series of Doris Lusk paintings. Portrait of Anne…