1
25
56
-
https://ourheritage.ac.nz/files/original/ff4536a22266afd0960b0a074d8863b6.jpg
d2eda3f01517b62be8804b621ea1887e
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Arthur Wellesley, 1st Duke of Wellington
Creator
An entity primarily responsible for making the resource
Adriano Cecioni
Date
A point or period of time associated with an event in the lifecycle of the resource
1872
Identifier
An unambiguous reference to the resource within a given context
A.H. Reed Collection, Heritage Collection, Dunedin Public Library
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: ‘Vanity Fair’ Office
Abstract
A summary of the resource.
<p class="Normal1">In the Victorian era, as today, simply being the offspring of a famous personage was enough to earn fame. The First Duke of Wellington (1769-1852) is remembered for his part in defeating Napoleon at Waterloo, and for serving twice as Prime Minister. His son and heir, the Second Duke (1807-1884), is remembered for very little at all.</p>
Victorian Periodicals
-
https://ourheritage.ac.nz/files/original/07b7edd2cd1b9da27c64ca958101bec6.jpg
dc628303716c27f18ab539284cf44a5f
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Chums
Creator
An entity primarily responsible for making the resource
Max Pemberton, editor
Date
A point or period of time associated with an event in the lifecycle of the resource
1893
Identifier
An unambiguous reference to the resource within a given context
Storage Journals 65 C 1893
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: Cassell & Company
Abstract
A summary of the resource.
<p class="Normal1"><em>Chums</em> was a weekly paper for boys that first appeared in 1892. It was best known for publishing pirate stories, including an 1894 re-publication in serial form of Robert Louis Stevenson’s <em>Treasure Island</em> (1883). Its weekly papers were gathered into annual editions, which featured decorative crimson covers.</p>
Victorian Periodicals
-
https://ourheritage.ac.nz/files/original/8a29305f899b4ab1de1193ca0a144ce2.jpg
a5cae640984faee1aabaea8710eca60a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Melbourne Punch, Vol.II
Creator
An entity primarily responsible for making the resource
Frederick Sinnett and Edgar Ray, founders
Date
A point or period of time associated with an event in the lifecycle of the resource
2 August 1855–December 1925
Identifier
An unambiguous reference to the resource within a given context
Special Collections
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
Melbourne: Punch Office
Abstract
A summary of the resource.
Printer Edgar Ray and London journalist, Frederick Sinnett, editor of the Melbourne <em>Morning Herald</em> established<em> Melbourne Punch</em> in 1855. Its first appearance was on 2 August 1855. In 1924 it was acquired by the <em>Herald</em> and <em>Weekly Times</em>, and in 1929 merged with <em>Table Talk</em>. It thus disappeared.
Victorian Periodicals
-
https://ourheritage.ac.nz/files/original/5480e24f1dca374c817a23e7d6754367.jpg
26b97fc7801a4dfc866e75b77fd756e7
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Dunedin Punch
Creator
An entity primarily responsible for making the resource
Robert and Thomas Redmayne, publishers
Date
A point or period of time associated with an event in the lifecycle of the resource
26 August 1865
Identifier
An unambiguous reference to the resource within a given context
Hocken Periodicals Pun
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
Dunedin: The Punch Office
Abstract
A summary of the resource.
A detail image of Vincent Pyke astride a moa, since he was known for his theories relating to its extinction (he was to publish a pamphlet on the topic in 1890).
Victorian Periodicals
-
https://ourheritage.ac.nz/files/original/18214ad9e51565b81664052e75e91afc.jpg
7385a0c213db3bd46129f7db3dcf4fb5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Dunedin Punch
Creator
An entity primarily responsible for making the resource
Robert and Thomas Redmayne, publishers
Date
A point or period of time associated with an event in the lifecycle of the resource
9 December 1865
Identifier
An unambiguous reference to the resource within a given context
Hocken Periodicals Pun
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
Dunedin: The Punch Office
Abstract
A summary of the resource.
An image from <em>Dunedin Punch</em> of weather in Dunedin.
Victorian Periodicals
-
https://ourheritage.ac.nz/files/original/2b1848af8c27e50e91a2388e3888d90b.jpg
8cd7c09c8130e23596ad3d40df48342c
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Englishwoman’s Domestic Magazine, Vol. 1
Creator
An entity primarily responsible for making the resource
Samuel Beeton, publisher
Date
A point or period of time associated with an event in the lifecycle of the resource
1860
Identifier
An unambiguous reference to the resource within a given context
Special Collections TT 500 EK56
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: Samuel Beeton
Abstract
A summary of the resource.
A fashion image from <em>The Englishwoman’s Domestic Magazine (1860).</em>
Victorian Periodicals
-
https://ourheritage.ac.nz/files/original/84db8d084c0cfba73a3a5ac256c14df6.jpg
6c1dd56b1c1b10261bc4b26ceef9e801
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
‘The Boa Constrictor’ in The Penny Magazine of the Society for the Diffusion of Useful Knowledge, No. 36
Creator
An entity primarily responsible for making the resource
Charles Knight
Date
A point or period of time associated with an event in the lifecycle of the resource
1832
Identifier
An unambiguous reference to the resource within a given context
Shoults Collection Ec 1832 P 1833
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: Charles Knight
Abstract
A summary of the resource.
<p class="Normal1">This arresting woodcut gracing the cover of the <em>Penny Magazine</em> exemplifies the eye-catching imagery that periodicals have used to capture readers from the 1830s to today. As the accompanying article explains, the artist observed the fearsome encounter at the Surrey Zoological Gardens. This time the rabbit got away.</p>
Victorian Periodicals
-
https://ourheritage.ac.nz/files/original/750254468c1b1c3a582e77b0cfd01682.jpg
43da131dbd606a9f56e4408707405151
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
John Ruskin
Creator
An entity primarily responsible for making the resource
Adriano Cecioni
Date
A point or period of time associated with an event in the lifecycle of the resource
1872
Identifier
An unambiguous reference to the resource within a given context
A.H. Reed Collection, Heritage Collection, Dunedin Public Library
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: ‘Vanity Fair’ Office
Abstract
A summary of the resource.
<p class="Normal1">‘[I]t is Mr. Ruskin's great misfortune’, writes <em>Vanity Fair,</em> ‘to be an incurable poet and artist in a materialistic and money-grubbing generation’. John Ruskin (1819-1900) was the pre-eminent British art critic of the nineteenth century. An early admirer of Turner and the Pre-Raphaelites, his ideas influenced Oscar Wilde, William Morris, and Mahatma Gandhi.</p>
Victorian Periodicals
-
https://ourheritage.ac.nz/files/original/eb46a42201944785f9271188f38839ef.jpg
b97662e6412acd7ddd992a7a9040635b
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
John Stuart Mill
Creator
An entity primarily responsible for making the resource
Spy, that is, Sir Leslie Ward
Date
A point or period of time associated with an event in the lifecycle of the resource
1873
Identifier
An unambiguous reference to the resource within a given context
A.H. Reed Collection, Heritage Collection, Dunedin Public Library
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: ‘Vanity Fair’ Office
Abstract
A summary of the resource.
<p class="Normal1">John Stuart Mill (1806-1873) is given the title ‘A Feminine Philosopher’, which reflects both his support of women’s suffrage and his public persona as a sensitive man. The accompanying text describes Mill as ‘a man of vast intellect and tender feelings’.</p>
Victorian Periodicals
-
https://ourheritage.ac.nz/files/original/bfc1f39476018cb35c484200998cbd94.jpg
e6084fda0e5921c20c71c6234ba488d5
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
London Illustrated News, Vol. XXI, no. 580 - Supplement
Creator
An entity primarily responsible for making the resource
Henry Ingram, founder
Date
A point or period of time associated with an event in the lifecycle of the resource
18 September 1852
Identifier
An unambiguous reference to the resource within a given context
Special Collections
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: Office of the Illustrated London News
Abstract
A summary of the resource.
The death of the Duke of Wellington gave good copy to the <em>ILN</em>. This is part of a supplement on the Duke, his life and death.
Victorian Periodicals
-
https://ourheritage.ac.nz/files/original/1cc7af63320360525c690631a586f254.jpg
38b48ff3da81c25aff551a943b7ade86
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
London Illustrated News, Vol. XXVI, no. 723
Creator
An entity primarily responsible for making the resource
Henry Ingram, founder
Date
A point or period of time associated with an event in the lifecycle of the resource
13 January 1855
Identifier
An unambiguous reference to the resource within a given context
Special Collections
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: Office of the Illustrated London News
Abstract
A summary of the resource.
The paper sold at sixpence a copy and achieved impressive circulation figures through special editions, including the celebration of the opening of the Crystal Palace in 1851, and the death of the Duke of Wellington in 1852. This iussue carries an image of an immigrant sailing ship.
Victorian Periodicals
-
https://ourheritage.ac.nz/files/original/25b7a82144ae104a16a5b8280a1d3267.jpg
4fc6b4043edc2dee43d33f7a24300acd
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
London Illustrated News, Vol. XXI, no. 567
Creator
An entity primarily responsible for making the resource
Henry Ingram, founder
Date
A point or period of time associated with an event in the lifecycle of the resource
3 July 1852
Identifier
An unambiguous reference to the resource within a given context
Special Collections
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: Office of the Illustrated London News
Abstract
A summary of the resource.
The <em>Illustrated London News</em> (1842-2003) transformed the reporting of current affairs, politics, and world events. It was the world’s first illustrated weekly newspaper, visibly different from its competitors. The ILN initially featured a large number of wood engravings; photographic reproductions began to appear in the 1890s.
Victorian Periodicals
-
https://ourheritage.ac.nz/files/original/8f89e5d65b2973c14754c5a5425f7ed1.JPG
85db7b907e9f07a38844b0c43a5d1365
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
London Illustrated News
Creator
An entity primarily responsible for making the resource
Henry Ingram, founder
Date
A point or period of time associated with an event in the lifecycle of the resource
6 January 1855
Identifier
An unambiguous reference to the resource within a given context
Special Collections
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: Office of the Illustrated London News
Abstract
A summary of the resource.
A double page spread of the <em>ILN</em>, 6 January 1855.
Victorian Periodicals
-
https://ourheritage.ac.nz/files/original/3fda48d9890f1852d15e9e6d9afc4129.jpg
2f6f689de764659ca89279c87bef1b93
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
London Illustrated News, Vol. XXI, no. 569
Creator
An entity primarily responsible for making the resource
Herbert Ingram, founder
Date
A point or period of time associated with an event in the lifecycle of the resource
17 July 1852
Identifier
An unambiguous reference to the resource within a given context
Special Collections
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: Office of the Illustrated London News
Abstract
A summary of the resource.
The <em>Illustrated London News</em> appeared first on Saturday 14 May 1842, as the world's first illustrated weekly news magazine. It was timed to report on the young Queen Victoria's first masquerade ball. It cost sixpence, and the first issue sold 26,000 copies.
Victorian Periodicals
-
https://ourheritage.ac.nz/files/original/893362d9d4034aaa32cbe359f64b597a.jpg
f187c5c56f2e5786fe78c3f955cb0ee3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The Rev. Charles Kingsley
Creator
An entity primarily responsible for making the resource
Adriano Cecioni
Date
A point or period of time associated with an event in the lifecycle of the resource
1872
Identifier
An unambiguous reference to the resource within a given context
A.H. Reed Collection, Heritage Collection, Dunedin Public Library
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: ‘Vanity Fair’ Office
Abstract
A summary of the resource.
<p class="Normal1">Novelist and Anglican clergyman Charles Kingsley (1819-1875) is closely associated with the notion of ‘muscular Christianity’ (he preferred the term ‘Christian manliness’), a concept combining virtue and power. His most famous work, <em>The Water-Babies</em> (1863), brought together progressive ideas on evolution and social reform with a troubling prejudice against the Irish and people of African descent.</p>
Victorian Periodicals
-
https://ourheritage.ac.nz/files/original/5ef8599ac5510b5ae6e76afc4acc1f04.jpg
896b0eff43b7e9a72b7e4f0e91892c06
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
James Anthony Froude
Creator
An entity primarily responsible for making the resource
Adriano Cecioni
Date
A point or period of time associated with an event in the lifecycle of the resource
1872
Identifier
An unambiguous reference to the resource within a given context
A.H. Reed Collection, Heritage Collection, Dunedin Public Library
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: ‘Vanity Fair’ Office
Abstract
A summary of the resource.
<p class="Normal1">At the time of this portrait, James Anthony Froude (1818-1894) was celebrated for his popular history of the English Reformation. In later years, he became a travel writer, a controversial biographer of his friend Thomas Carlyle, and a notorious champion of the British Empire.</p>
Victorian Periodicals
-
https://ourheritage.ac.nz/files/original/0d71e286cf7cd531a68e9621c1809f6d.jpg
64d21c99c502d2a1c5a2c42c82ce6828
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The National Punch, 1
Date
A point or period of time associated with an event in the lifecycle of the resource
1873
Identifier
An unambiguous reference to the resource within a given context
Hocken Periodicals Pun
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
Auckland, Publishing Office, High Street
Abstract
A summary of the resource.
During the 1860s short-lived imitations of the British humour and satirical magazine <em>Punch</em> began. The first was the fortnightly <em>Taranaki Punch</em> (1860–61), followed by the weeklies <em>Canterbury Punch</em> (1865), <em>Otago Punch</em> (1866–67) and <em>Auckland Punch</em> (1868–69). Their cartoons sent up local politicians and contributed to the creation of stock colonial types, such as the raffish but enterprising pastoralist. The Dunedin-produced weekly <em>New Zealand Punch</em> published a few issues in 1888. <em>National Punch</em> was a periodical that started on 25 October, 1873, and finished on 17 January 1874; 12 issues in all. Published by George McCullagh Reed (1831/2-1898) and Henry Brett (1843-1927), and printed at Evening Star Office. Cost 6d per copy; 5s per quarter. According to references in the <em>Star</em>, the publishers had no input into the content of this short-lived satricial magazine.
Creator
An entity primarily responsible for making the resource
George McCullagh Reed (1831/2-1898) and Henry Brett (1843-1927), publishers
Victorian Periodicals
-
https://ourheritage.ac.nz/files/original/a1d1dbc2c8e5e4f3ee22533cb6318a83.jpg
79a42ce8bcacf8cbcecf10e48d30afcc
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Otago Punch, Vol. 1, no. 5
Creator
An entity primarily responsible for making the resource
Charles Francis, printer
Date
A point or period of time associated with an event in the lifecycle of the resource
29 September 1865
Identifier
An unambiguous reference to the resource within a given context
Hocken Periodicals Pun
Type
The nature or genre of the resource
Periodical
Abstract
A summary of the resource.
<em>Otago Punch</em> was a continuation of <em>Dunedin Punch</em>. It was printed by Charles Francis and published at the Office of the Proprietors between 1866-1867. There were some 26 issues. In 1888, another reiteration appeared in Dunedin: <em>New Zealand Punch, which </em>was a distinguished production and the last in the succession.
Publisher
An entity responsible for making the resource available
Dunedin Punch Office
Victorian Periodicals
-
https://ourheritage.ac.nz/files/original/e6d0cbdcc05ac42481c67872ea86bca7.jpg
f00ce29ba60b565e9c92c8d0d74a4007
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Punch, or the London Charivari, Vol. XXI
Creator
An entity primarily responsible for making the resource
Mark Lemon, editor
Date
A point or period of time associated with an event in the lifecycle of the resource
1851
Identifier
An unambiguous reference to the resource within a given context
Storage Journal AP 101 P8 1843-45
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: Published at the 'Punch' Office
Abstract
A summary of the resource.
Founded on 17 July 1841 by Henry Mayhew and Ebenezer Landells, <em>Punch</em> became a very successful satiric periodical in England. The masthead was created around the anarchic glove puppet Mr Punch.
Victorian Periodicals
-
https://ourheritage.ac.nz/files/original/98b11afa83ae076cb02b51fe288b06af.jpg
2fd093187a75fa65a2c166bbd7e3815a
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Punch, or the London Charivari, Vol. CXIII
Creator
An entity primarily responsible for making the resource
Sir Francis Burnand, editor
Date
A point or period of time associated with an event in the lifecycle of the resource
1897
Identifier
An unambiguous reference to the resource within a given context
Storage Journal AP 101 P8 1843-45
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: Published at the 'Punch' Office
Abstract
A summary of the resource.
John Tenniel's <em>Punch</em> cartoons of the 1857 Sepoy Mutiny led to a surge in the magazine's popularity. This image may also have pushed reader numbers up. It was a staple read for many in British drawing rooms. After closure in 1992, and a strt up in 1996, <em>Punch</em> finally closed in 2002 after 161 years of publication.
Victorian Periodicals
-
https://ourheritage.ac.nz/files/original/6c4c8a25ea7e56971a6671a270af0410.jpg
fd2adeed604b96e2aae71bd4efa977f2
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Dunedin Punch
Creator
An entity primarily responsible for making the resource
Robert and Thomas Redmayne, publishers
Date
A point or period of time associated with an event in the lifecycle of the resource
1 April 1865
Identifier
An unambiguous reference to the resource within a given context
Hocken Periodicals Pun
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
Dunedin: Punch Office
Abstract
A summary of the resource.
<em>Dunedin Punch</em> was published by Robert and Thomas Redmayne in Dunedin. The first issue appeared 27 May 1865; the last 6 January 1866. There were 41 issues in total.
Victorian Periodicals
-
https://ourheritage.ac.nz/files/original/9ec245d3ad29c69512060938ff94c961.jpg
76e549375a0845b3b304236790003866
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
‘The Irish Frankenstein’ in Punch, or the London Charivari
Creator
An entity primarily responsible for making the resource
Kenny Meadows
Date
A point or period of time associated with an event in the lifecycle of the resource
1843
Identifier
An unambiguous reference to the resource within a given context
Storage Journal AP 101 P8 1843-45
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: Published at the Office
Abstract
A summary of the resource.
<p class="Normal1">In 1843, a growing number of Irish citizens called for the repeal of the Acts of Union that combined Ireland and Great Britain. Daniel O’Connell, mayor of Dublin and a leader of the repeal movement, had held a series of rallies, called ‘monster meetings’, at various historical sites. When Prime Minister Robert Peel ordered the cancellation of a pro-repeal rally on 8 October 1843, O’Connell relented and called off the meeting. He was charged with conspiracy and sentenced to prison, and the repeal movement splintered. <em>Punch</em> shows O’Connell losing control of the forces of repeal, here represented in an ethnic stereotype that also takes the ‘monster meeting’ literally.</p>
Victorian Periodical
-
https://ourheritage.ac.nz/files/original/0421d470b5e1e50b2d6f9d8a201bda43.jpg
b9825ba6ebb9ee26c12a25bd99f8d692
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
‘The Russian Frankenstein and His Monster’ in Punch, or the London Charivari
Creator
An entity primarily responsible for making the resource
John Leech
Date
A point or period of time associated with an event in the lifecycle of the resource
1854
Identifier
An unambiguous reference to the resource within a given context
Storage Journal AP 101 P8 1853-55
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: Published at the Office
Abstract
A summary of the resource.
<p class="Normal1">The Crimean War began in 1853, when Tsar Nicholas II invaded the Ottoman-controlled territories of Moldavia and Wallachia. The Ottomans won early victories at Kalafat and Oltenitza (see the article opposite, ‘Heartsease for the Czar’), and Britain and France joined the fray on the side of the Ottomans. John Leech’s image captures a moment when the British public believed that Nicholas’s belligerence was about to backfire on him. The reality was less simple: though the Russians eventually sued for peace in 1856, the British suffered some 40,000 casualties, and the Charge of the Light Brigade ensured that the Crimean War long stood as a symbol of British bungling.</p>
Victorian Periodical
-
https://ourheritage.ac.nz/files/original/488e7a6f7a77c729809588798deaec92.jpg
ef316d63fc6866b2ebf374223407c3be
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
‘The Irish Frankenstein’ in Punch, or the London Charivari
Creator
An entity primarily responsible for making the resource
John Tenniel
Date
A point or period of time associated with an event in the lifecycle of the resource
1882
Identifier
An unambiguous reference to the resource within a given context
Storage Journal AP 101 P8 1881-83
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
Published at the Office
Abstract
A summary of the resource.
<p class="Normal1">On 6 May 1882, the newly-appointed Chief Secretary for Ireland, Lord Frederick Cavendish, and his Under Secretary, Thomas Henry Burke, were stabbed to death in Dublin’s Phoenix Park. The Irish politician Charles Stewart Parnell, released from jail four days previously, denounced the murders, which were committed by a militant separatist group. But <em>Punch</em> represents Parnell as Victor Frankenstein, cowering before his murderous creation, a simian-like Irish caricature. The broadsheet at the monster’s feet reads ‘Capt Moonlight’, a reference to Parnell’s 1881 statement, ‘Ah, if I am arrested Captain Moonlight will take my place’. Although Parnell remained a key figure in Irish politics, the murders were a profound setback to Irish Home Rule.</p>
Victorian Periodical
-
https://ourheritage.ac.nz/files/original/b0e311be76dfec6826c6248e79f859a6.jpg
c076751af9f0f1ca5954dffa49883586
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
All the Year Round: Exploring the Nineteenth-Century Periodical. Online exhibition
Creator
An entity primarily responsible for making the resource
Special Collections
Date
A point or period of time associated with an event in the lifecycle of the resource
6th June, 2018
Contributor
An entity responsible for making contributions to the resource
Special Collections, University of Otago; Dunedin Public Library
Abstract
A summary of the resource.
Nineteenth-century periodicals were the television of their day. They offered riveting serials, lifestyle recommendations, vivid illustrations by leading artists, and the inevitable advertising. They were shared among readers, who discussed their contents avidly and sometimes read them aloud to local audiences. <br /><em>All the Year Round: Exploring the Nineteenth-Century Periodical</em> tells the story of the rise of the British periodical. The exhibition charts the rapid expansion of periodical publication from the early years of the nineteenth century, when writers like Lord Byron and John Keats were reviewed and reviled, to the last decades of Queen Victoria’s reign, when ‘decadent’ journals caused controversy, the <em>Boy’s Own</em> and <em>Girl’s Own Paper</em> catered to an expanding young readership, and Sherlock Holmes’s appearance in <em>The Strand</em> inspired a devoted following across all classes. <br /><em>All the Year Round</em> takes its title from Charles Dickens’s weekly journal, which reached tens of thousands of readers and featured many of his now classic novels. The exhibition’s strongest presence comes from the satirical London journal <em>Punch</em>, whose columns and cartoons mocked prominent politicians and celebrities and shaped middle-class attitudes. Colonial spinoffs, like <em>Otago Punch</em>, soon spread across the British Empire. While the exhibition primarily features holdings from the University of Otago’s Special Collections and the Hocken Library, it also includes works kindly lent from the Dunedin Public Library and the Olga and Marcus Fitchett Collection. Please enjoy. <br />This exhibition was co-curated by Dr Tom McLean and Dr Grace Moore, both of the English Department, University of Otago
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
‘The Brummagem Frankenstein’ in Punch, or the London Charivari
Creator
An entity primarily responsible for making the resource
John Tenniel
Date
A point or period of time associated with an event in the lifecycle of the resource
1866
Identifier
An unambiguous reference to the resource within a given context
Storage Journal AP 101 P8 1865-67
Type
The nature or genre of the resource
Periodical
Publisher
An entity responsible for making the resource available
London: Published at the Office
Abstract
A summary of the resource.
John Bright was a leading radical voice in the House of Commons. On 27 August 1866, at the Great Reform Demonstration in Birmingham, Bright delivered the first of a series of speeches across Britain calling for increased voting rights. ‘I have no fear of manhood suffrage’, said Bright, ‘and no man is more a friend of the ballot than I am’. Here John Tenniel (best known for his 1865 <em>Alice’s Adventures in Wonderland</em> illustrations) portrays a terrified Bright tiptoeing past the working-class giant he has awakened. The 1867 Reform Act gave the vote to (male) skilled city workers, but excluded agricultural labourers.
Victorian Periodical