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Stephen Estall, conductor (2).
Label: 116
Stephen Estall, conductor (1).
On mount: 126a
Stage designs for The Glass Menagerie.
Lower left (l.l.) in ballpoint pen: C. McCahon; l.c. in ballpoint pen: The Glass Menageries 1956; verso: [unfinished sketch]
Stage designs for The Glass Menagerie.
Lower left (l.l.) in ballpoint pen: C. McCahon; l.c. in ballpoint pen: The Glass Menagerie 1956; u.c. in ballpoint pen: Cyclorama [variously inscribed throughout]
Stage designs for The Glass Menagerie.
Lower left (l.l.) in ballpoint pen: The Glass Menageries 1956; l.c. in ballpoint pen: C. McCahon; through image in ballpoint pen: [various inscriptions]
Stage designs for The Glass Menagerie.
Lower left (l.l.) in ballpoint pen: C.McCahon The Glass Menagerie 1956; verso: [unfinished pencil sketch]
Stage designs for The Glass Menagerie.
Lower left (l.l.) in ballpoint pen: A gentleman calls; l.c. in ballpoint pen: The Glass Menagerie; l.r. in ballpoint pen: C.McCahon 1956; verso in pencil: door [unfinished pencil sketch]
Stage designs for The Glass Menagerie.
Lower left (l.l.) in ballpoint pen: C. McCahon, 1956; l.c. in ballpoint pen: Final version; u.l. in charcoal: The Glass Menagerie; verso in pencil & red ballpoint pen: [production memoranda]
Stage designs for The Glass Menagerie.
Lower left (l.l.) in ballpoint pen: C.McCahon The Glass Menagerie 1956.
Stage designs for Peer Gynt. Series 2. b.
Inscribed throughout: [stage directions]
Stage designs for Peer Gynt. Series 2. a.
Inscribed throughout: [stage directions]
Stage designs for [The Thieves Carnival, by Jean Anouilh] Act 3.
Lower right (l.r.) in red ballpoint pen: Act 3; verso: ballpoint pen drawing.
Stage designs for [The Thieves Carnival, by Jean Anouilh] Act 2.
Lower right (l.r.) in red ballpoint pen: Act 2.
Stage designs for [The Thieves Carnival, by Jean Anouilh] Act 1.
Lower right (l.r.) in red ballpoint pen: Act 1; verso: pencil drawing.
Sketch of Ruby Bay house.
Titled by donor.
Sketch for Window.
McCahon felt that the design was: 'a bit too easy'. McCahon gave this sketch to Brown when helping him in his Crummer Road studio during 1979.
Self portrait.
Lower right (l.r.) in pencil: Joanna Paul 1970
See the stirring of the Lake.
No 1 of a series of 15 drawings commissioned by Peter McLeavey to commemorate the twelfth year of his gallery’s existence.
Seated figure.
Margin below image in Dr Brasch’s hand: Joanna Paul 1969
