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- Subject is exactly "Beaches"
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A stroll on the beach - Mount Egmont in the distance - 16 Feb.y 65 - daybreak. After marching all Night Wanganui Campaign.
Lower left (l.l.) - lower right (l.r.) in pencil: 3. A stroll on the beach - M.t Egmont in the distance - 16 Feb.y 65 Daybreak after marching all Night Wanganui Campaign; on sketchbook mount: this is the only time I myself ever saw troops marching…
Bamborough Castle from the beach.
Lower left (l.l.) in ink: Bamborough castle from the beach; in pencil: 1855
Bamborough Castle from the Harkus Rocks.
Lower left (l.l.) with brush: J.T.T. 1878; on mount in pencil: Bamborough Castle from the Harkus Rocks From a photograph 1878
Beach and Sugar Loaves, New Plymouth.
Lower left (l.l.) in pencil: Beach and Sugar Loaves, New Plymouth; verso: 17
Camp, Alexander’s farm.
Lower left (l.l.) in ink: Camp. Alexander’s farm. Jan.y 20 65
Tags: Beaches, Farms, Image, Military camps, Nineteenth century, Still Image, Wars, Watercolors, Works of Art
From the north end of Tomahawk Beach.
12 in The Jack & Ethel McCahon gift to the Hocken LibraryMcCahon writes: "Landscape from North end of Tomahawk beach, Dunedin. 9 3/4 x 11 1/2. watercolour. Signal hill in distance. These two date mid 30s - the bottom one I like-"
Lawyer’s Head from above St Clair.
Lower left (l.l.) with brush: E Anscombe July 1891; verso: artist’s name & title on torn label
New Year holiday. (Corsair Bay).
Lower right (l.r). in pencil: Evelyn Page; verso in pencil: Charles Brasch 536 12 New Year Holiday Evelyn Page.
Ocean Beach, Dunedin.
Lower left (l.l.) with brush: J.T. Thomson 1870; on canvas verso: Ocean Beach, Dunedin 1870; label verso: Ocean Beach from Lawyer’s Head 1870; label frame: J.T. Thomson for exhibition only
Ocean Beach.
Lower right (l.r.) with brush: 1865; on mount in pencil: Ocean Beach. Dunedin 1865
Riverton Bay, west side.
Lower left (l.l.) with brush: JTT 1881; label recto: Riverton Bay, west side. 1881; on canvas verso: Riverton Bay, west side. 1881; label verso: T.T. Thomson for exhibition only
Singapore from Campong Glam.
Lower left (l.l.) in ink: 1847; on mount in ink: Singapore from Campong Glam.
St Clair beach, Dunedin, New Zealand.
Lower right (l.r.) with brush in red paint: G.P. [ligated, vertical] Nerli; label: St Clair Beach, Dunedin, N.Z. [undated press clipping about Nerli]; label: Fisher & Son, Christchurch; label: 146
Tahunanui, Nelson.
Lower right (l.r.) with brush in red paint: G.P. [ligated, vertical] Nerli; label: St Clair Beach, Dunedin, N.Z. [undated press clipping about Nerli]; label: Fisher & Son, Christchurch; label: 146 with brush: D. Lusk ’47; verso with brush:…
Te tangi o te pipiwhararua. (The song of the shining cuckoo) from a poem by Tangirau Hotere.
This is one of McCahon's major works of the mid-1970s, along with the Urewera Mural, the Blind series, and the Parihaka Triptych. It has several motivations and triggers. The primary one is the shining cuckoo's song, spoken of in a Maori poem passed…
Tags: Beaches, Christian art and symbolism, Death in art, Folklore, Image, Legends, Maori, Maori (New Zealand people), Maori language, Muriwai Beach (N.Z.), Mythology, Numbers in art, Oil paintings, Paintings, Pictorial works, Pūrākau, Spirits, Stations of the Cross in art, Still Image, Symbolism in art, Wairua, Works of Art
The beach at Tauranga 26 April.
Lower left (l.l.) - lower right (l.r.) in pencil: The beach at Tauranga 26 April 64. Mt Monganui. The Wily Man, the Sailor, the Harrier, Falcon, Esk; verso: 31
The Ocean Beach, Dunedin. ca 1864.
Lower right (l.r.) with brush: W. Handcock S.R.A.; on original mount in pencil: The Ocean Beach, Dunedin.
Titahi Bay.
Lower left (l.l.) with brush: Titahi Bay W.G. Baker
Tomahawk.
"[Field's] ideas on painting had been influenced by the Post-Impressionists to the extent of allowing heightened colour and a degree of flattening and formal interest in the constructin of the imagery. Anywhere else Field would not have seemed…
Victory Beach. Victory Aue.
A: vertically right in crayon: Victory Beach; verso: [reverse image in pencil]; b: l.l. - l.r. in crayon & wax crayon: Aue Victory Aue; verso: [reverse image in pencil]; c.: l.l. - l.r. in crayon & wax crayon: Aue Victory Aue; verso: [reverse image…
View of Dunedin from Church Hill, looking towards Ocean Beach, November 1851.
Margin below image in pencil: Geo.B. Shaw; margin below image in ink in Dr Hocken’s hand superimposed over pencil: View of Dunedin from Church Hill, looking towards Ocean Beach, November 1851.
Wai-iti, Nelson. 1 May 77.
Lower left (l.l.) with brush: J.T.T. 1877; on mount in pencil: Wai-iti, Nelson. 1 May 77
Westport, 15 Sept 76.
Lower left (l.l.) with brush: J.T.T. 1877; on mount in pencil: Westport. 15 Sept 76
Wharf, Onekaka, Nelson (hightide).
Lower right (l.r.) in ballpoint pen: D. Lusk 1966; verso mount: Wharf, Onekaka, Nelson (hightide). Doris Lusk 1966 Jan
Wharf, Onekaka, Nelson.
Lower left (l.l.) in ballpoint pen: D. Lusk 1966; verso: Holland 2 30