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https://ourheritage.ac.nz/files/original/01b0c07f902868b031b284ae7d9b63d2.jpg
c062b58d2b20669cb60d4508ba8b3325
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The World of Joseph W. Mellor (1869-1938): Chemist, Ceramicist & Cartoonist. Online exhibition.
Date Created
Date of creation of the resource.
9th January 2015
Description
An account of the resource
Joseph William Mellor (1869-1938) was an Otago graduate who became a ceramicist, a cartoonist, and, more importantly, a famous chemist. Indeed, his single-handed effort to complete his 16 volume definitive work <em>A Comprehensive Treatise on Inorganic and Theoretical Chemistry</em> (1922-1937), which amounted to over 15,000 pages and 16 million words, has never been equalled. From very humble beginnings and self-initiated study, Mellor obtained a place at the University of Otago, and then won a scholarship to study for a research degree at Owens College, Manchester. He then moved to Stoke-on-Trent, where he became principal of the Technical College (now part of Staffordshire University). During the First World War, Mellor's research was directed towards refractories, high-temperature ceramics relevant to the steel industry and thus the war effort. It was for this work that he was offered a peerage, which he turned down. In 1927 he was elected to the Royal Society for work related to ceramics, the only other being Josiah Wedgwood in the eighteenth century. Mellor retained a boyish sense of humour all his life, and he was dubbed by colleagues the 'Peter Pan of Ceramics'. He was also a skilled cartoonist and his <em>Uncle Joe’s Nonsense</em> (1934) contains a collection of humorous stories illustrated with clever pen sketches. Just before Mellor died in May 1938, he received a C.B.E. <br /><br /><em>The World of Joseph W. Mellor (1869-1938) Chemist, Ceramicist & Cartoonist</em> is an exhibition that highlights Mellor’s life, work and legacy. It begins with his early years in Kaikorai Valley and first work at Sargood's Boot Factory, and his study at the University of Otago. It then deals with his marriage to Emma Cranwell Bakes, his many publications and relationships with his publishers, his contemporaries and friends such as Bernard Moore, Frank Wedgwood, and Louis Solon, and his involvement in various ceramic societies world-wide. And then there is his legacy, which constitutes today annual memorial lectures associated with the Ceramic Society in England and the Wellington Branch of the New Zealand Institute of Chemistry, a Mellor Professorship at the University of Otago, and a Mellor street and park in the suburb of Kaikorai Valley, Dunedin. His personal archives, ceramics and books are found at Special Collections, University of Otago, the Otago Museum, and the Heritage Collection, Dunedin Public Library.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Creator
An entity primarily responsible for making the resource
R.H. and S.L. Plant (Ltd), Longton, Stoke-on-Trent, Staffordshire
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1920
Identifier
An unambiguous reference to the resource within a given context
Mellor Collection, Otago Museum (Image copyright, Otago Museum, Dunedin)
Type
The nature or genre of the resource
Pottery
Publisher
An entity responsible for making the resource available
Unpublished
Abstract
A summary of the resource.
This ‘Tuscan China’ tea pot was donated by Emma Mellor to the Otago Museum in the 1950s and was made by R.H. and S.L. Plant (Ltd) in the town of Longton, Stoke-on-Trent in about the 1920s. The Plant family had been active in the Staffordshire pottery industry since about 1775 but their business was founded in 1878. They used white china clay to produce their ‘Tuscan China’ range with about 30,000 different patterns emerging over the years. The company traded until the late 1960s when it was absorbed by the Wedgwood group.
Title
A name given to the resource
‘Tuscan China’ tea pot
cartoons
ceramics
inorganic chemistry
Joseph Mellor
-
https://ourheritage.ac.nz/files/original/8a7277a8d1b6ed9aaf358b530ef77827.jpg
59774fc252465baee8ea3fd5c54899dc
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
The World of Joseph W. Mellor (1869-1938): Chemist, Ceramicist & Cartoonist. Online exhibition.
Date Created
Date of creation of the resource.
9th January 2015
Description
An account of the resource
Joseph William Mellor (1869-1938) was an Otago graduate who became a ceramicist, a cartoonist, and, more importantly, a famous chemist. Indeed, his single-handed effort to complete his 16 volume definitive work <em>A Comprehensive Treatise on Inorganic and Theoretical Chemistry</em> (1922-1937), which amounted to over 15,000 pages and 16 million words, has never been equalled. From very humble beginnings and self-initiated study, Mellor obtained a place at the University of Otago, and then won a scholarship to study for a research degree at Owens College, Manchester. He then moved to Stoke-on-Trent, where he became principal of the Technical College (now part of Staffordshire University). During the First World War, Mellor's research was directed towards refractories, high-temperature ceramics relevant to the steel industry and thus the war effort. It was for this work that he was offered a peerage, which he turned down. In 1927 he was elected to the Royal Society for work related to ceramics, the only other being Josiah Wedgwood in the eighteenth century. Mellor retained a boyish sense of humour all his life, and he was dubbed by colleagues the 'Peter Pan of Ceramics'. He was also a skilled cartoonist and his <em>Uncle Joe’s Nonsense</em> (1934) contains a collection of humorous stories illustrated with clever pen sketches. Just before Mellor died in May 1938, he received a C.B.E. <br /><br /><em>The World of Joseph W. Mellor (1869-1938) Chemist, Ceramicist & Cartoonist</em> is an exhibition that highlights Mellor’s life, work and legacy. It begins with his early years in Kaikorai Valley and first work at Sargood's Boot Factory, and his study at the University of Otago. It then deals with his marriage to Emma Cranwell Bakes, his many publications and relationships with his publishers, his contemporaries and friends such as Bernard Moore, Frank Wedgwood, and Louis Solon, and his involvement in various ceramic societies world-wide. And then there is his legacy, which constitutes today annual memorial lectures associated with the Ceramic Society in England and the Wellington Branch of the New Zealand Institute of Chemistry, a Mellor Professorship at the University of Otago, and a Mellor street and park in the suburb of Kaikorai Valley, Dunedin. His personal archives, ceramics and books are found at Special Collections, University of Otago, the Otago Museum, and the Heritage Collection, Dunedin Public Library.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Creator
An entity primarily responsible for making the resource
R.H. and S.L. Plant (Ltd), Longton, Stoke-on-Trent, Staffordshire
Date
A point or period of time associated with an event in the lifecycle of the resource
c. 1920
Identifier
An unambiguous reference to the resource within a given context
Mellor Collection, Otago Museum (Image copyright, Otago Museum, Dunedin)
Type
The nature or genre of the resource
Pottery
Publisher
An entity responsible for making the resource available
Unpublished
Abstract
A summary of the resource.
This ‘Tuscan China’ coffee pot was donated by Emma Mellor to the Otago Museum in the 1950s and was made by R.H. and S.L. Plant (Ltd) in the town of Longton, Stoke-on-Trent in about the 1920s. The Plant family had been active in the Staffordshire pottery industry since about 1775 but their business was founded in 1878. They used white china clay to produce their ‘Tuscan China’ range with about 30,000 different patterns emerging over the years. The company traded until the late 1960s when it was absorbed by the Wedgwood group.
Title
A name given to the resource
‘Tuscan China’ coffee pot
cartoons
ceramics
inorganic chemistry
Joseph Mellor