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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Auld Acquaintances: Celebrating the Robert Burns Fellowship. Online exhibition
Creator
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Special Collections, University of Otago, Dunedin
Date
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29 August 2018
Abstract
A summary of the resource.
‘…for it is only through imaginative thinking that society grows, materially and intellectually…’ <br />Charles Brasch, ‘Notes’. <em>Landfall</em>, March, 1959 <br /><br />This year, 2018, is the 60th anniversary of the establishment of the Robert Burns Fellowship at the University of Otago. It is the oldest and most prestigious literary art award in New Zealand. There has always been some mystery surrounding the people who helped set it up, but Dunedin’s own Charles Brasch certainly had a hand in it. <br /><br />The purpose of the Fellowship was to commemorate the anniversary of the birth of the Scottish poet, Robert Burns (1759), and to acknowledge the Burns family’s involvement in the early settlement of Otago by the Scottish diaspora. <br /><br />The Fellowship serves as a way of fostering nascent or already established New Zealand writing talent. It is hosted by the University of Otago’s Department of English and Linguistics, where an office is provided and a stipend is paid. There is no expectation of output.<br /><br />The city of Dunedin, with its statue of Robert Burns in the Octagon, is part of the personality of the Fellowship. The University, Dunedin’s tradition of education and literature, the ‘smallness’ of the city, the ‘Scottishness’, the weather, landscape, and people have all uniquely contributed to the experience of each Fellow. For some, Dunedin has become their <em>turangawaewae</em>. <br /><br />This exhibition, <em>Auld Acquaintances: Celebrating the Robert Burns Fellowship</em>, features every Robert Burns Fellow, and where possible the publication that resulted from their tenure is on display; read their own words on how the Fellowship impacted their lives. The Robert Burns Fellowship. Long may it continue!
Contributor
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Special Collections, University of Otago; Curator: Romilly Smith
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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After Anzac Day
Creator
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Ian Cross
Date
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1961
Identifier
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Brasch PR9641 C82 A73
Type
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Books
Publisher
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London: Andre Deutsch
Abstract
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Robert Burns Fellow 1959: Ian Cross (b. 1925) <br /><br />It is a fitting juxtaposition that this volume, <em>After Anzac Day</em>, by the first Robert Burns Fellow, Ian Cross, comes from the Charles Brasch Collection, held in Special Collections. Cross had an established reputation with <em>The God Boy</em> (1958) and <em>The Backward Sex</em> (1960) when he arrived in Dunedin to take up the Fellowship in 1959. At that time, the English Department was housed in a ‘two-storey wooden building’. During his tenure, Cross realised he could not financially sustain his growing family, and could not be a full-time writer. Subsequently, through his working life, he had an eclectic career in editorships and management positions; writing both fiction and journalism; and broadcasting for radio and television.
New Zealand literature
Robert Burns