Browse Items (37 total)
- Spatial Coverage is exactly "Otago Peninsula (N.Z.)"
Sort by:
Victory Beach. Victory Aue.
A: vertically right in crayon: Victory Beach; verso: [reverse image in pencil]; b: l.l. - l.r. in crayon & wax crayon: Aue Victory Aue; verso: [reverse image in pencil]; c.: l.l. - l.r. in crayon & wax crayon: Aue Victory Aue; verso: [reverse image…
Dunedin looking down the line of Stafford Street.
Verso c. in ink in Dr Hocken’s hand: An unfinished copy from no 1. Done by Robert Fulton in 1849 & given to me by his brother James Fulton in 1894. Dunedin looking down the line of Stafford St. Very similar to Kettle’s View of Dunedin & Upper…
Mount Charles, Otago Peninsula, from the Camp.
1. It appears to have been mounted and titled for Mrs Buckland. 2. The site of Larnach Castle was known as the Camp by 1876, but not by 1867. Therefore, the date given on the mount title could either be a typographical mistake or reflect the date it…
View of Otago Heads and Port Chalmers from Signal Hill near Dunedin. From a sketch from nature by George O’Brien, Civil Engineer. ca 1866.
Lower right (l.r.) with brush: View of Otago Heads and Port Chalmers from Signal Hill near Dunedin from a sketch from nature by George O’Brien, Civil Engineer.
View of Otago Heads, Port Chalmers, Mount Cargill and Blueskin from the Portobello Road - six miles from Dunedin.
Lower left (l.l.) with brush: View of Otago Heads, Port Chalmers, Mount Cargill & Blueskin from the Portobello Road - six miles from Dunedin, sketched from nature by George O’Brien, Civil Engineer &c 1866
Otago Peninsula landscapes - two drawings. 2.
Lower right (l.r.) in pencil: Otago Peninsula landscapes. Colin McCahon; through image in pencil: [gridlines]; on mount: Rodney, I promised you these quite some time ago as they really belong with your painting. I don’t think they are of particular…
Otago Peninsula landscapes - two drawings. 1.
Margin u.r. in pencil: 1947; margin l.r. in pencil: Colin McCahon; on mount: Rodney, I promised you these quite some time ago as they really belong with your painting. I don’t think they are of particular value as works of art but possibly are of…
4YA Highcliff, Otago Peninsula.
05 in The Jack & Ethel McCahon gift to the Hocken LibraryMcCahon writes: "on right. 4YA. Highcliffe [sic] Otago Peninsular [sic] c. 9 x 11 1/2. (Varnished with theatrical spirit gum (for sliding on boards etc) C.McC" Dated by Luit Bieringa.
Working drawings for three paintings of the Otago Peninsula. For Hocken - view of Otago Harbour near Observatory. Follows first Peninsula painting.
Shows observatory & Ravensbourne Wharf.
Working drawings for three paintings of the Otago Peninsula. Mount Charles.
l.l. in pencil: Mt Charles; l.r. in pencil: C. McCahon; verso: pen & ink sketch inscribed: Dark light.
Working drawings for three paintings of the Otago Peninsula. Untitled.
Through image in pencil: [painting notes inscribed]; above image in pencil: [illeg inscription crossed out]; verso vertically in pencil: [illeg] from Psalms 1 25.
Working drawings for three paintings of the Otago Peninsula. Untitled.
Lower centre (l.c.) in pencil vertically: Jan 1 1946; through image in pencil; [grid lines colour notes] concave; verso: [fragmentary sketch] landscape from Port Chalmers white.
Working drawings for three paintings of the Otago Peninsula. [from] Mount Charles.
Lower right (l.r.) in pencil: C. McCahon; l.l. in pencil: Mt Charles.
Working drawings for three paintings of the Otago Peninsula. For R. Kennedy landscape.
Below image c. in ink: For R. Kennedy landscape; l.r. in ink: McCahon; through image in pencil: concave.
Working drawings for three paintings of the Otago Peninsula. Peninsula.
Lower right (l.r.) in ink: Peninsula McCahon.
Working drawings for three paintings of the Otago Peninsula. Peninsula landscape.
Lower centre (l.c.) in ink: Peninsular landscape; l.r. in ink: McCahon.
Working drawings for three paintings of the Otago Peninsula. Peninsula landscape with Harbour Cone.
Lower centre (l.c.) in ink: Peninsular landscape with Harbour Cone; l.r. in ink: McCahon.
Working drawings for three paintings of the Otago Peninsula. Harbour Cone.
Lower right (l.r.) in ink: Harbour Cone, McCahon.
Working drawings for three paintings of the Otago Peninsula. Harbour Cone, Observatory. Ravensbourne Wharf.
Lower left (l.l.) in pencil: McCahon í40; through in pencil: grid lines; verso in pencil: Harbour Cone, Observatory, Ravensbourne Wharf 45.
Working drawings for three paintings of the Otago Peninsula. For R. Kennedy landscape.
Upper right (u.r.) in pencil: for Rodney Kennedy’s landscape; c.r. in pencil: missing drawing from this sheet with R.N. O’Reilly; inscribed through image in blue & black ink: artist’s notes; verso: fragment of painting.
Working drawings for three paintings of the Otago Peninsula. From Portobello?
Lower right (l.r.) in pencil: McCahon ’40; margin r. in pencil: from Portobello?; u.r.: [paper manufacturer’s printed inscription].
Working drawings for three paintings of the Otago Peninsula. Saddle Hill.
Lower centre (l.c.) in pencil: Saddle Hill. C. McCahon 1939.
Working drawings for three paintings of the Otago Peninsula. Otago Peninsular landscape.
Lower right (l.r.) in ink: McCahon ’40; verso in pencil: Otago Peninsular landscape, Colin McCahon 1940; paper manufacturer’s printed inscription.
Working drawings for three paintings of the Otago Peninsula. Peninsula landscape.
Lower right (l.r.) in ink: Peninsular landscape, McCahon.
Working drawings for three paintings of the Otago Peninsula. Drawing for the Fleischl picture.
Lower left (l.l.) in pencil: McCahon; c.l. in pencil: Peninsula. Little Harbour Cone & sandspit across Papanui Inlet; l.r. in pencil: drawing for the Fleischl picture.