Browse Items (174 total)
- Type is exactly "Ink drawings"
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Woman.
Lower right (l.r.) in pencil: Hotere 70 70; verso in ballpoint pen: Woman. Ralph Hotere Dunedin 1970; label verso mount: Tinakori Gallery…
Woman resting.
verso: [landscape 78/253]
View of part of Dunedin from Stafford St, with the upper Harbour, November 1851.
Lower left (l.l.) - l.r. in ink: Back of Cap Cargillís old house in Princes St to which Otago Witness office was removed in 1861 & where first number of Daily Times was printed. Looking across to Waverley, section at back occupied in the sixties by…
Upper Moutere.
Lower left (l.l.) in ink: Upper Moutere; verso mount in pencil: MT Woollaston Nelson 2 landscapes - Upper Moutere & Motueka 6 gns Made 1944. These 2 drawings were exhibited Chch Group 1945. Lower one is of a hop kiln & mountain at at Motueka; label:…
Untitled.
Ruth Dallas wrote: 'When Janet Paul was considering publishing 'Song for a Guitar' she suggested the book should contain drawings by her daughter Joanna Paul. We discussed the enclosed drawings by letter. She was unable to go on with the…
Tags: Illustrations, Image, Ink drawings, Still Image, Works of Art
Untitled.
Ruth Dallas wrote: 'When Janet Paul was considering publishing 'Song for a Guitar' she suggested the book should contain drawings by her daughter Joanna Paul. We discussed the enclosed drawings by letter. She was unable to go on with the…
Tags: Illustrations, Image, Ink drawings, Still Image, Works of Art
Untitled.
Ruth Dallas wrote: 'When Janet Paul was considering publishing 'Song for a Guitar' she suggested the book should contain drawings by her daughter Joanna Paul. We discussed the enclosed drawings by letter. She was unable to go on with the…
Tags: Illustrations, Image, Ink drawings, Still Image, Works of Art
Untitled.
Ruth Dallas wrote: 'When Janet Paul was considering publishing 'Song for a Guitar' she suggested the book should contain drawings by her daughter Joanna Paul. We discussed the enclosed drawings by letter. She was unable to go on with the…
Tags: Illustrations, Image, Ink drawings, Still Image, Works of Art
Untitled.
Ruth Dallas wrote: 'When Janet Paul was considering publishing 'Song for a Guitar' she suggested the book should contain drawings by her daughter Joanna Paul. We discussed the enclosed drawings by letter. She was unable to go on with the…
Tags: Illustrations, Image, Ink drawings, Still Image, Works of Art
Untitled.
Ruth Dallas wrote: 'When Janet Paul was considering publishing 'Song for a Guitar' she suggested the book should contain drawings by her daughter Joanna Paul. We discussed the enclosed drawings by letter. She was unable to go on with the…
Tags: Illustrations, Image, Ink drawings, Still Image, Works of Art
Untitled.
Ruth Dallas wrote: 'When Janet Paul was considering publishing 'Song for a Guitar' she suggested the book should contain drawings by her daughter Joanna Paul. We discussed the enclosed drawings by letter. She was unable to go on with the…
Tags: Illustrations, Image, Ink drawings, Still Image, Works of Art
Untitled.
Ruth Dallas wrote: 'When Janet Paul was considering publishing 'Song for a Guitar' she suggested the book should contain drawings by her daughter Joanna Paul. We discussed the enclosed drawings by letter. She was unable to go on with the…
Tags: Illustrations, Image, Ink drawings, Still Image, Works of Art
Untitled drawing from Murdering Beach series.
Verso lower centre (l.c.) in pencil: Ralph Hotere Untitled drawing from Murdering Beach series. 1969.
Three Maoris, two seated, one lying down.
Verso in pencil: 5.
Three Maoris seated in front of a whare.
Lower right (l.r.) in pencil: J Merrett 1850; verso in pencil: 4 X.
The wife of the artist.
Verso original mount: Sleeping woman [crossed out] Woman sleeping. £5.5.0 M.T. Woollaston, Mapua. The wife of the artist 1947
The Wake VIII
13. VIII; Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” VIII; verso: rejected version
The Wake VII
11. VII; Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” VII
The Wake VI
9. VI; Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” VI
The Wake V
8. V; Lower left: McCahon ’58; margin below: John Caselberg, “The Wake” V