<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="http://otago.ourheritage.ac.nz/items/show/11472">
    <dcterms:title><![CDATA[All hail! Zealandia! (national song) :  dedicated by permission to Sir Julius Vogel, K.C.M.G., M.H.R., &amp;c]]></dcterms:title>
    <dcterms:subject><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=49&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=National+songs+--+New+Zealand">National songs -- New Zealand</a>]]></dcterms:subject>
    <dcterms:description><![CDATA[Sheet music of R. P. Crosbie&#039;s &#039;All Hail! Zealandia (national song) : dedicated by permission to Sir Julius Vogel, K.C.M.G., M.H.R., &amp;c.]]></dcterms:description>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Crosbie%2C+R.+P">Crosbie, R. P</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Christchurch: Lyttleton Times Co. Ltd]]></dcterms:publisher>
    <dcterms:date><![CDATA[1885]]></dcterms:date>
    <dcterms:created><![CDATA[[c. 1885]]]></dcterms:created>
    <dcterms:contributor><![CDATA[Crosbie, R. P. [music and lyrics]]]></dcterms:contributor>
    <dcterms:isPartOf><![CDATA[All hail! Zealandia! (national song) : dedicated by permission to Sir Julius Vogel, K.C.M.G., M.H.R., &amp;c]]></dcterms:isPartOf>
    <dcterms:format><![CDATA[Sheet music: cover (illustration), and notated score]]></dcterms:format>
    <dcterms:extent><![CDATA[7p: score; 38cm]]></dcterms:extent>
    <dcterms:medium><![CDATA[Paper (conserved)]]></dcterms:medium>
    <dcterms:type><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Image%0D%0AText%0D%0AMusic+notation%0D%0A">Image<br />
Text<br />
Music notation<br />
</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[Hocken Collections Sheet Music: MZ20.CY12 A4]]></dcterms:identifier>
    <dcterms:spatial><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=115&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Dunedin%0D%0AChristchurch">Dunedin<br />
Christchurch</a>]]></dcterms:spatial>
    <dcterms:temporal><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=116&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=1880-1890">1880-1890</a>]]></dcterms:temporal>
    <dcterms:provenance><![CDATA[Hocken Sheet Music Collection. Donated by Dr. David Murray]]></dcterms:provenance>
</rdf:Description><rdf:Description rdf:about="http://otago.ourheritage.ac.nz/items/show/11471">
    <dcterms:title><![CDATA[Living My Life. Vol. I<br />
<br />
]]></dcterms:title>
    <dcterms:abstract><![CDATA[Emma Goldman was born in Lithuania in <strong>1869</strong>, and emigrated to America in 1885. She spent her adult life fighting for her chosen ideologies. Goldman (d. 1940) had no qualms using violence as a means to an end, and was imprisoned several times. Ironically, her biography was so large and expensive, that it was ‘kept …out of the hands of general readers and students who might otherwise have drawn sustenance and inspiration from its riches in American radical thought and action, labor history, feminism, and free-speech fights, its data on social hypocrisy, vigilante and official oppression, and the like’ (Editor’s note). On page 56 here, Goldman tells of her desire for ‘freedom’ and ‘self-expression’.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Emma+Goldman">Emma Goldman</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[New York: A.A. Knopf]]></dcterms:publisher>
    <dcterms:date><![CDATA[1931]]></dcterms:date>
    <dcterms:type><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Books">Books</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[Special Collections HZ843 G6]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://otago.ourheritage.ac.nz/items/show/11458">
    <dcterms:title><![CDATA[Welcome Arch, Lyttelton]]></dcterms:title>
    <dcterms:abstract><![CDATA[Alfred, Duke of Edinburgh, was the first ‘Royal’ visitor to New Zealand, and despite the ructions of the New Zealand War, his visit produced an overwhelming mania for the monarchy. Upon arriving into Wellington on 11 April <strong>1869</strong>, he faced a hearty welcome and loyal address from dignitaries, including representatives from Ngati-Toa, Ngati-Awa, Ngati-Raukawa, Whanganui, Ngati-Kahungunu, and Ngati-Porou. He also travelled to Auckland, Nelson, Dunedin, and Christchurch, where it was all bunting and more celebrations. This ‘Welcome Arch’ at Lyttelton was just part of the occasion.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Daniel+Louis+Mundy">Daniel Louis Mundy</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Unpublished]]></dcterms:publisher>
    <dcterms:date><![CDATA[1869]]></dcterms:date>
    <dcterms:type><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Photographic+prints">Photographic prints</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[Hocken Pictorial Collection, Box 172-003]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://otago.ourheritage.ac.nz/items/show/11457">
    <dcterms:title><![CDATA[Specimen of the New Zealand Cross]]></dcterms:title>
    <dcterms:abstract><![CDATA[The New Zealand Cross was introduced by Governor Sir George Bowen in <strong>1869 </strong>during the Land Wars in New Zealand. Only 23 crosses were awarded, with six gazetted in <strong>1869</strong>, one in 1870, and the remainder (16) between 1875 and 1910. They are rare, and because of this, a small number (13) of specimens (facsimiles) have been struck, mainly for institutions or medal collectors. One notable medal collector was Colonel Joseph Cowie Nichols, of Dunedin, who had two ‘facsimiles’ struck in 1914. This is one of those ‘facsimiles’, which was once in the collection of D. Hastings Irwin, an English medal collector. It was presented back to the Otago Museum by Colonel Nichols.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Introduced+by+Governor+George+Bowen+in+1869">Introduced by Governor George Bowen in 1869</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Unpublished]]></dcterms:publisher>
    <dcterms:date><![CDATA[1914]]></dcterms:date>
    <dcterms:type><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Medals">Medals</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[Kind permission of the Otago Museum]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://otago.ourheritage.ac.nz/items/show/11456">
    <dcterms:title><![CDATA[Horsburgh Lighthouse. October 1851]]></dcterms:title>
    <dcterms:abstract><![CDATA[An entry on page 12 of the <em>Catalogue of Otago Fine Arts Exhibition</em> (<strong>1869</strong>) is a lithograph of John Turnbull Thomson’s ‘Horsburgh Lighthouse. October 1851']]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=John+Turnbull+Thomas">John Turnbull Thomas</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Unpublished]]></dcterms:publisher>
    <dcterms:date><![CDATA[October 1851]]></dcterms:date>
    <dcterms:type><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Paintings">Paintings</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[Hocken Pictorial Collection, Accession No: 92/1231]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://otago.ourheritage.ac.nz/items/show/11455">
    <dcterms:title><![CDATA[Reproduction photograph of Thomas Adamson and Wiremu Mutu Mutu]]></dcterms:title>
    <dcterms:abstract><![CDATA[This staged photograph is of Wiremu Mutu Mutu and Thomas Adamson, holding a hatchet. According to James Cowan in his Hero Stories of New Zealand (1935), ‘Tom Adamson won the New Zealand Cross for his daring scouting work in the bush between the Waitotara and the back country of Wairoa (now Waverley), in <strong>1869</strong>.’ Some of the other New Zealand Cross recipients include Constable Henare Kepa te Ahururu, 1st Division, Armed Constabulary, Moturoa (1868); Dr Isaac Earl Featherston, Native Contingent, Otapawa Pa (1866); Sergeant Richard Shepherd, Armed Constabulary, Otauto (<strong>1869</strong>); and Major Ropata Wahawaha, Native Contingent, Ngatapa (<strong>1869</strong>).]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Batt+%26+Richards">Batt &amp; Richards</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Unpublished]]></dcterms:publisher>
    <dcterms:date><![CDATA[c. 1874]]></dcterms:date>
    <dcterms:type><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Photographic+prints">Photographic prints</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[Hocken Pictorial Collection, P1971-005/1-012c]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://otago.ourheritage.ac.nz/items/show/11454">
    <dcterms:title><![CDATA[W.M. Hodgkins in his study at his home, ‘Cranmore’]]></dcterms:title>
    <dcterms:abstract><![CDATA[William Hodgkins (c.1833–1898) arrived in Dunedin in 1862, the same year as his good friend Dr Hocken. Although called to the bar in 1868, it was his love for art that has had lasting influence. As an organiser of the Fine Arts Exhibition in Dunedin in <strong>1869</strong>, he came to realise the need for a public art gallery. In 1875, he formed the Otago Art Society, and started collecting paintings. On 14 October 1884, the Council passed a resolution that established the Dunedin Public Art Gallery, the first of its kind in New Zealand. Hodgkins also painted, and his daughter was the well-known artist, Frances Hodgkins.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=___">___</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Unpublished]]></dcterms:publisher>
    <dcterms:type><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Photographs">Photographs</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[Hocken Pictorial Collection, Box-015-003]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://otago.ourheritage.ac.nz/items/show/11453">
    <dcterms:title><![CDATA[‘Te Rangihaeata’]]></dcterms:title>
    <dcterms:abstract><![CDATA[A copy of Charles Barraud's 'Te Rangihaeata' is listed in the <em>Catalogue of the Otago Fine Arts Exhibition </em>(<strong>1869</strong>). The exhibition was held in Dunedin in <strong>1869</strong>.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Charles+D.+Barraud">Charles D. Barraud</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Unpublished]]></dcterms:publisher>
    <dcterms:date><![CDATA[c. 1864]]></dcterms:date>
    <dcterms:type><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Portrait+drawings">Portrait drawings</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[Hocken Pictorial Collection, P1971-005/1-002. Lithograph print in Eccles vol. Album 099. Maori portraits]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://otago.ourheritage.ac.nz/items/show/11451">
    <dcterms:title><![CDATA[Peter Seton Hay]]></dcterms:title>
    <dcterms:abstract><![CDATA[Peter Seton Hay (c. 1852-1907) was one of Professor Shand’s successful students at the University of Otago, who in 1878 secured a first class MA Honours degree in Mathematics. Hay went on to become a noted engineer, famed for the railway viaducts that he designed.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=___">___</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Unpublished]]></dcterms:publisher>
    <dcterms:date><![CDATA[c. 1872]]></dcterms:date>
    <dcterms:type><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Photographs">Photographs</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[Hocken Pictorial Collection, Album 605, Hay Family Portraits. P2010-011/1-024]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://otago.ourheritage.ac.nz/items/show/11450">
    <dcterms:title><![CDATA[Robert Stout]]></dcterms:title>
    <dcterms:abstract><![CDATA[Sir Robert Stout (1844–1930) was 13th Premier of New Zealand, and a Chief Justice. He was a keen supporter of women’s suffrage, and a strong advocate for education. He served on the Senate of the University of New Zealand, and the Council of the University of Otago from 1891 to 1898. As a fledging lawyer, he was – as rumoured - the first student to enrol on the books at the University of Otago when it opened. The claim cannot be verified, but some wit has remarked that it was Stout himself who instigated this ‘fact’. Here is the young lawyer-student about 1875. ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=New+Zealand+Photography+Company">New Zealand Photography Company</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Unpublished]]></dcterms:publisher>
    <dcterms:date><![CDATA[1875]]></dcterms:date>
    <dcterms:type><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Photographic+prints">Photographic prints</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[Hocken Pictorial Collection, Box-030-001]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://otago.ourheritage.ac.nz/items/show/11445">
    <dcterms:title><![CDATA[Archway into the Quadrangle]]></dcterms:title>
    <dcterms:abstract><![CDATA[The archway leading into the University of Otago’s quadrangle. One wonders how many students looked up as they passed through, and noticed the swirling art nouveau-like gates, and the pensive ‘calculator’ and his friend in the right-hand corner.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Unknown">Unknown</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Unpublished]]></dcterms:publisher>
    <dcterms:type><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Photographic+prints">Photographic prints</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[Hocken Pictorial Collection, P2008-011-018a]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://otago.ourheritage.ac.nz/items/show/11439">
    <dcterms:title><![CDATA[Caroline Freeman]]></dcterms:title>
    <dcterms:abstract><![CDATA[Caroline Freeman (c.1855–1914) was the University of Otago’s first woman graduate. She appeared in the examination lists in 1875, topping the class in psychology and logic. She also passed junior German. Her studies were part-time, and she attended lectures at night. During the day, she taught classes at Otago Girls’ High School. She graduated in 1885.   ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Steffano+Webb">Steffano Webb</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Unpublished]]></dcterms:publisher>
    <dcterms:date><![CDATA[c. 1900]]></dcterms:date>
    <dcterms:type><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Photographic+prints">Photographic prints</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[Hocken Pictorial Collection, P2017-009, SS17-028a]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://otago.ourheritage.ac.nz/items/show/11426">
    <dcterms:title><![CDATA[University of Otago from the Leith]]></dcterms:title>
    <dcterms:abstract><![CDATA[The atmosphere evoked by this oil painting of the University and the Leith is a dark, brooding one. It is attributed to the year 1880. The artist is unknown.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Anonymous">Anonymous</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Unpublished]]></dcterms:publisher>
    <dcterms:date><![CDATA[1880]]></dcterms:date>
    <dcterms:type><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Painting">Painting</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[Hocken Pictorial Collection]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://otago.ourheritage.ac.nz/items/show/11425">
    <dcterms:title><![CDATA[The Scott and Shand Buildings and their Surrounds]]></dcterms:title>
    <dcterms:abstract><![CDATA[The ivy-clad buildings of Black and Sale (now the Music School), and Scott and Shand (Marketing and Communications) are visible along the gravelled St David Street. Although the distinctive hedges have gone, the bridge is still there for students and staff to walk across the Leith. The photographer of this idyllic shot is unknown. ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Unknown+creator">Unknown creator</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Unpublished]]></dcterms:publisher>
    <dcterms:date><![CDATA[c. 1900]]></dcterms:date>
    <dcterms:type><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Photographic+prints">Photographic prints</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[Hocken Pictorial Collection, Box-141-004]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://otago.ourheritage.ac.nz/items/show/11424">
    <dcterms:title><![CDATA[Punch, of the London Charivari]]></dcterms:title>
    <dcterms:abstract><![CDATA[English politicians William Ewart Gladstone (1809-98) and Benjamin Disraeli (1804-81) loathed each other. This cartoon by John Tenniel has Disraeli congratulating Gladstone on the Sovereign’s speech at the opening of Parliament in early <strong>1869</strong>. Although pleasantries are depicted, each carry a birch behind their backs, ready to beat each other once Parliamentary sessions had begun.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Edited+by+Mark+Lemon">Edited by Mark Lemon</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[London: Punch]]></dcterms:publisher>
    <dcterms:date><![CDATA[27 February 1869]]></dcterms:date>
    <dcterms:type><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Periodical+illustrations">Periodical illustrations</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[Storage Journals AP 101 P8 1867-69]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://otago.ourheritage.ac.nz/items/show/11423">
    <dcterms:title><![CDATA[Punch, of the London Charivari]]></dcterms:title>
    <dcterms:abstract><![CDATA[Hibernia (Ireland) holds a harp, the country’s traditional instrument, while a haughty Britannia (England) looks on. The ballad played is ‘The Harp That Once’, written by the Irish poet Thomas Moore. Its later lines refer to Tara’s hall, the hilltop in County Meath that was once home to the Irish kings. This political cartoon was by the English artist John Tenniel (1820-1914), who worked for <em>Punch</em> for over 50 years. The engraving is by Joseph Swain (1820-1909), or one of his assistants. At the time, Ireland was under English rule.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Edited+by+Mark+Lemon">Edited by Mark Lemon</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[London: Punch]]></dcterms:publisher>
    <dcterms:date><![CDATA[7 August 1869]]></dcterms:date>
    <dcterms:type><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Periodical+illustrations">Periodical illustrations</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[Storage Journals AP 101 P8 1869-71]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://otago.ourheritage.ac.nz/items/show/11421">
    <dcterms:title><![CDATA[Arthur Beverly]]></dcterms:title>
    <dcterms:abstract><![CDATA[Arthur Beverly (1822&amp;ndash;1907) was a Dunedin watchmaker and property investor who was very skilled in scientific matters. Indeed, his two passions were mathematics and botany. When he died in October 1907, he bequeathed his scientific instruments and the bulk of his estate, valued at &amp;pound;57,000, to the University. It was to be directed to &amp;lsquo;the teaching of mathematical, mechanical, and physical sciences and subjects akin thereto&amp;rsquo;. The Beverley bequest is still funding university prizes and Fellowships in physics and maths.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Unknown+creator">Unknown creator</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Unpublished]]></dcterms:publisher>
    <dcterms:date><![CDATA[c. 1900]]></dcterms:date>
    <dcterms:type><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Photographic+prints">Photographic prints</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[Hocken Pictorial Collection]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://otago.ourheritage.ac.nz/items/show/11420">
    <dcterms:title><![CDATA[‘Entrance archway to the University of Otago’]]></dcterms:title>
    <dcterms:abstract><![CDATA[In 1911, Edmund Anscombe (1874–1948) was appointed university architect, a post he held until 1929. He was an active, busy architect. Some of his local works included extensions to Maxwell Bury’s work, Allen Hall (1914), the Domestic Science building (1918), the Physics building (1922), Marama Hall (1923), the Dental school (1924), and the Medical school (1927).  In 1929, he moved to Wellington and continued working, most notably for the 1940 New Zealand Centennial Exhibition. Anscombe had a major impact on architectural design in New Zealand. While in Dunedin, he worked on the clocktower complex, specifically the Archway Building. This watercolour image is attributed to his early years, in 1912.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Edmund+Anscombe">Edmund Anscombe</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Unpublished]]></dcterms:publisher>
    <dcterms:date><![CDATA[1912]]></dcterms:date>
    <dcterms:type><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Paintings">Paintings</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[Hocken Pictorial Collection]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://otago.ourheritage.ac.nz/items/show/11416">
    <dcterms:title><![CDATA[Joseph William Mellor]]></dcterms:title>
    <dcterms:abstract><![CDATA[After completing his PhD in 1902, Mellor became a secondary school teacher in Staffordshire. Throughout his career, he continued to write and undertake research. Over the years, Mellor held the positions of Director of Research Laboratories of the Pottery Federation, Honorary Secretary of the UK Ceramic Society, and editor of its journal. He taught at the Central School of Science and Technology in Staffordshire, carried out scientific investigations into firebricks, glazes, clays and the like, contributed to the war effort by developing new refractory practices, and worked with ceramicists Frank Wedgwood, Marc-Louis-Emmanuel Solon, and Bernard Moore. Here is Mellor’s portrait as it hangs in the National Portrait Gallery, London.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Walter+Stoneman">Walter Stoneman</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[London: J. Russell &amp; Sons]]></dcterms:publisher>
    <dcterms:date><![CDATA[c. 1932]]></dcterms:date>
    <dcterms:type><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Photographic+prints">Photographic prints</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[Mellor Collection, Box 16]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://otago.ourheritage.ac.nz/items/show/11415">
    <dcterms:title><![CDATA[Letter from Henry Driver of Driver’s Bookshop to publishing house, Longmans, Green and Co.]]></dcterms:title>
    <dcterms:abstract><![CDATA[In 1899, Mellor won the 1851 Exhibition Science Scholarship, and he left Dunedin, with his wife, Emma, for Owen’s College, Manchester, to study for his PhD. Mellor never returned to New Zealand. He published his first book, <em>Higher Mathematics for Students of Chemistry</em>, in 1902. Mellor continued to publish throughout his career – most notably, his sixteen-volume set, <em>The Comprehensive Treatise on Inorganic and Theoretical Chemistry</em> (1912-37), the epitome of chemistry textbooks. This letter from bookshop owner, Henry Driver, to Mellor’s publishers, Longmans, Green and Co., talks about one of the volumes in the set. Driver also mentions Mellor’s habit of wandering the bookshop as a student ‘in search of books on Chemistry’.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Henry+Driver">Henry Driver</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Unpublished]]></dcterms:publisher>
    <dcterms:date><![CDATA[31 October 1931]]></dcterms:date>
    <dcterms:type><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Manuscripts">Manuscripts</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[Mellor Collection, Box Nine, Folder Two]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://otago.ourheritage.ac.nz/items/show/11414">
    <dcterms:title><![CDATA[Women Doctors in New Zealand: An Historical Perspective 1921-1986]]></dcterms:title>
    <dcterms:abstract><![CDATA[Six years after the establishment of the University of Otago in <strong>1869</strong>, the Otago Medical School was opened. The first person of Chinese descent to graduate from the School was Kathleen Anuei Pih-Chang (1903-91). As a child, she was nursed back to health by Margaret Reid, Dunedin missionary to China. The pair developed a close relationship, and when Reid returned to Dunedin in 1908, she brought Pih-Chang with her, eventually adopting her. After a secondary education at Otago Girls High School, she attended Otago Medical School, the ‘only Chinese’ to do so at a time when ‘anti-Chinese prejudice was still strong’. After graduation, Pih-Chang returned to China as a missionary doctor, administering to all who needed her services. In 1969, Pih-Chang and her husband retired to Tauranga.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Margaret+D.+Maxwell">Margaret D. Maxwell</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Auckland: IMS]]></dcterms:publisher>
    <dcterms:date><![CDATA[1990]]></dcterms:date>
    <dcterms:type><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Books">Books</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[Medical Storage WZ80.5 W5 W872]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://otago.ourheritage.ac.nz/items/show/11413">
    <dcterms:title><![CDATA[Not Here, Not Now]]></dcterms:title>
    <dcterms:abstract><![CDATA[Daniel Marcus Davin (1913-90) grew up in an Irish immigrant family in Southland. He won a scholarship to the University of Otago, where he excelled in Latin and English. After winning the Rhodes Scholarship for 1936, he attended Balliol in Oxford where he gained a first. At the same time, Davin drafted his first novel, <em>Cliffs of Fall</em> (1945). After the end of WWII, Davin was appointed editor of the Clarendon Press in Oxford, where he gained a reputation for being ‘the greatest academic publisher of his time’. Throughout his life, he continued to write. <em>Not Here, Not Now</em> is set at the University of Otago.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Dan+Davin">Dan Davin</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[London: Robert Hale &amp; Company]]></dcterms:publisher>
    <dcterms:date><![CDATA[1970]]></dcterms:date>
    <dcterms:type><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Book+covers">Book covers</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[Brasch PR9640 D35 N7]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://otago.ourheritage.ac.nz/items/show/11411">
    <dcterms:title><![CDATA[Stellar Extinctions of Atmospheric Turbidity]]></dcterms:title>
    <dcterms:abstract><![CDATA[Professor Mazlan Othman was born in Serembam, Malaysia, in 1951. She had an exceptional aptitude for mathematics from a young age, and came to the University of Otago on a Colombo Plan scholarship. Othman graduated Bachelor of Science with honours in 1975, and gained her PhD in Physics in 1981; she was the first woman to do so. After returning to Malaysia as the country’s first astrophysicist, she helped to create parts of the curriculum for the National University of Malaysia. Othman has also worked for the United Nations Office for Outer Space Affairs under Kofi Annan and Ban Ki-Moon. This report by Othman contains chapters extracted from her 1981 PhD thesis – ‘Optical Investigations of the Atmosphere’. ]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Mazlan+Othman">Mazlan Othman</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Dunedin: Physics Department, University of Otago, ]]></dcterms:publisher>
    <dcterms:date><![CDATA[1981]]></dcterms:date>
    <dcterms:type><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Thesis">Thesis</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[Hocken QC976 T8 O83 1981]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://otago.ourheritage.ac.nz/items/show/11410">
    <dcterms:title><![CDATA[‘A Step to the Right’: The Restructuring of the New Zealand University Students Association in 1986]]></dcterms:title>
    <dcterms:abstract><![CDATA[Grant Robertson (b. 1971) was born in Palmerston North, but grew up in Dunedin where he attended King’s High School. In 1993, while studying Politics at the University of Otago, he became President of the Otago University Students Association. Robertson graduated with a Bachelor of Arts with Honours, and his research essay (above) reflects his involvement with the Association. After graduation, Robertson worked for the Ministry of Foreign Affairs and Trade, both in New Zealand and overseas, returning home in 2001. In 2008, he stood for Labour in the Wellington Central electorate and won. He has been in Parliament ever since, in government and in the opposition. Robertson’s current roles include Minister of Finance and Minister of Sports and Recreation.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Grant+Robertson">Grant Robertson</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Dunedin: University of Otago]]></dcterms:publisher>
    <dcterms:date><![CDATA[1994]]></dcterms:date>
    <dcterms:type><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Dissertation">Dissertation</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[Storage Theses JA0.1 RM53]]></dcterms:identifier>
</rdf:Description><rdf:Description rdf:about="http://otago.ourheritage.ac.nz/items/show/11407">
    <dcterms:title><![CDATA[Nadia Lim’s Fresh Start Cookbook]]></dcterms:title>
    <dcterms:abstract><![CDATA[Nadia Lim (b. 1985) was born in Auckland, and spent time growing up in both New Zealand and Kuala Lumpur, Malaysia. Lim always knew she wanted to do something with food, and she graduated from the University of Otago in 2008 with a Bachelor of Applied Science in Human Nutrition, and a PGDip in Dietetics. After winning the second series of <em>MasterChef New Zealand</em> in 2011, her first cookbook, <em>Nadia’s Kitchen</em>, came out in 2012. In total, Lim has produced six cookbooks. She is one of the founders of the food delivery companies and meal providers, <em>My Food Bag</em>, <em>Bargain Box</em>, F<em>resh Start</em>, and<em> Made</em>. Her self-titled magazine, <em>Nadia</em>, was first published in October 2016.]]></dcterms:abstract>
    <dcterms:creator><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=39&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Nadia+Lim">Nadia Lim</a>]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Auckland: Random House; with kind permission]]></dcterms:publisher>
    <dcterms:date><![CDATA[2015]]></dcterms:date>
    <dcterms:type><![CDATA[<a href="/items/browse?advanced%5B0%5D%5Belement_id%5D=51&advanced%5B0%5D%5Btype%5D=is+exactly&advanced%5B0%5D%5Bterms%5D=Book+covers">Book covers</a>]]></dcterms:type>
    <dcterms:identifier><![CDATA[Private Collection]]></dcterms:identifier>
</rdf:Description></rdf:RDF>
