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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Marcel Proust’s moments are often instances of involuntary memory, triggered by a sensory experience. In <em>In Search of Lost Time</em> (or <em>Remembrance of Things Past</em>), the best-known example is a memory prompted by the taste of a madeleine (a small cake). In volume one, <em>Swann’s Way</em>, displayed here, the narrator believes that he has only one memory of his childhood visits to Combray, until, years later, a madeleine dipped in tea touches his palate: a shudder runs through him, an exquisite pleasure invades his senses, and suddenly a memory reveals itself. He remembers the taste of the madeleine his aunt Léonie gave him on Sunday mornings at Combray.
Creator
An entity primarily responsible for making the resource
Marcel Proust
Publisher
An entity responsible for making the resource available
[Paris]: Gallimard
Date
A point or period of time associated with an event in the lifecycle of the resource
1954
Identifier
An unambiguous reference to the resource within a given context
Private Collection
Title
A name given to the resource
A La Recherche du Temps Perdu. Tome I
Modernism
Proust
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Although he would later refer to this volume of poetry as ‘a collection of stale creampuffs,’ <em>Lume Spento</em> (<em>With Tapers Quenched</em>) is Pound’s first collection of poetry; its dramatic lyrics examples of Pound’s early poetic style. The title is a phrase borrowed from Canto III of Dante’s <em>Purgatorio</em>, and the poems reflect Pound’s fascination with the poetry of the troubadours.
Creator
An entity primarily responsible for making the resource
Ezra Pound
Publisher
An entity responsible for making the resource available
London: Faber and Faber
Date
A point or period of time associated with an event in the lifecycle of the resource
1965
Identifier
An unambiguous reference to the resource within a given context
Brasch PS3531 O82 A4 1965
Title
A name given to the resource
A Lume Spento and Other Early Poems
Ezra Pound
Modernism
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Cover of James Joyce's <em>A Portrait of the Artist<br /></em>
Creator
An entity primarily responsible for making the resource
James Joyce
Publisher
An entity responsible for making the resource available
Leipzig: B. Tauchnitz
Date
A point or period of time associated with an event in the lifecycle of the resource
1930
Identifier
An unambiguous reference to the resource within a given context
Brasch PR6019 O9 P6
Title
A name given to the resource
A Portrait of the Artist as a Young Man
James Joyce
Modernism
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Joyce was educated by the Jesuits at Clongowes Wood College and Belvedere. Although he left the church, his imagination continued to be structured and shaped by Catholic tradition. On the pages displayed here, Joyce refers to Aquinas and Loyola, quoting Aquinas’<em> Summa Theologica</em> and Loyola’s<em> Constitution of the Society of Jesus</em>. The Latin quotations can be translated: ‘Those things are beautiful that please the eye,’ ‘The good inheres in what is desired,’ and ‘Like an old man’s walking stick.’
Creator
An entity primarily responsible for making the resource
James Joyce
Publisher
An entity responsible for making the resource available
Leipzig: B. Tauchnitz
Date
A point or period of time associated with an event in the lifecycle of the resource
1930
Identifier
An unambiguous reference to the resource within a given context
Brasch PR6019 O9 P6
Title
A name given to the resource
A Portrait of the Artist as a Young Man
James Joyce
Modernism
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
<em>A</em> <em>Vision</em> is a curious philosophical, historical, and astrological work. As the subtitle suggests, Yeats claims as his sources Qusta ibn Luqa (820–912) and one ‘Giraldus,’ whose book was printed in Cracow in 1594 and whose portrait faces the title page. Yeats’ Giraldus is a ‘mask,’ a fiction, whose philosophy and identity is in keeping with Renaissance neoplatonists, and<em> A Vision</em> amalgamates ideas Yeats collected from neoplatonism, astrology, occult literature, and Eastern religion. Six hundred copies of this edition were numbered and signed; this copy is no. 437.
Creator
An entity primarily responsible for making the resource
W. B. Yeats
Publisher
An entity responsible for making the resource available
London: Privately Printed for Subscribers only by T. Werner Laurie
Date
A point or period of time associated with an event in the lifecycle of the resource
1925
Identifier
An unambiguous reference to the resource within a given context
Brasch PR5904 V53
Title
A name given to the resource
A Vision: An Explanation of Life Founded upon the Writings of Giraldus and upon Certain Doctrines Attributed to Kusta Ben Luka
Modernism
W. B. Yeats
-
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Robert Frost was troubled by loss, grief, and depression, and his poetry explores questions of existence and human experience. In ‘The Lesson for Today,’ he is engaged in an imaginary discussion with medieval scholar Alcuin of York about whose age is the darkest. He suspects that every age has darkness, some injustice or woe: ‘One age is like another for the soul,’ and earth is ‘a hard place in which to save the soul.’ Prompted by such thoughts and mindful of Alcuin’s epitaph, Frost writes the words for his own headstone: ‘I had a lover’s quarrel with the world.’
Creator
An entity primarily responsible for making the resource
Robert Frost
Publisher
An entity responsible for making the resource available
London: Jonathan Cape
Date
A point or period of time associated with an event in the lifecycle of the resource
1943
Identifier
An unambiguous reference to the resource within a given context
Brasch PS3511 R94 W57
Title
A name given to the resource
A Witness Tree
Modernism
Robert Frost
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Flann O’Brien (Brian O’Nolan) includes his own translations of <em>Buile Suibhne</em> in <em>At Swim-Two-Birds</em>.
Creator
An entity primarily responsible for making the resource
Flann O’Brien
Publisher
An entity responsible for making the resource available
London: MacGibbon & Kee
Date
A point or period of time associated with an event in the lifecycle of the resource
1960
Identifier
An unambiguous reference to the resource within a given context
Brasch PR6029 N56 A93 1960
Title
A name given to the resource
At Swim-Two-Birds
Modernism
-
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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2868
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
<em>Danse Macabre</em> (the Dance of Death) is a medieval motif of death’s universality. The Dance of Death unites the whole of humanity, regardless of the position one may hold in life. In Hans Holbein’s woodcuts, Death accosts all manner of people: no one can escape his bony grasp. In ‘Der Artzet’ (The Physician), Death takes the elderly doctor by the hand and places a flask in the outstretched hand of the younger man on the left, who will continue the physician’s work. In ‘Der Münch’ (The Monk), the holy man tries to do a runner, but Death catches him by the cowl.
Creator
An entity primarily responsible for making the resource
Hans Holbein
Publisher
An entity responsible for making the resource available
Leipzig: Insel-Verlag
Date
A point or period of time associated with an event in the lifecycle of the resource
1917
Identifier
An unambiguous reference to the resource within a given context
Brasch NE1150.5 HP94 A4 1917
Title
A name given to the resource
Bilder des Todes
Dance of Death
Hans Holbein
Modernism
-
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
<em></em>Cover of Hans Holbein's <em>Bilder des Todes</em>
Creator
An entity primarily responsible for making the resource
Hans Holbein
Publisher
An entity responsible for making the resource available
Leipzig: Insel-Verlag
Date
A point or period of time associated with an event in the lifecycle of the resource
1917
Identifier
An unambiguous reference to the resource within a given context
Brasch NE1150.5 HP94 A4 1917
Title
A name given to the resource
Bilder des Todes
Hans Holbein
Modernism
-
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Edited by Wyndham Lewis, <em>Blast</em> featured work by Vorticist writers and artists. It ‘Blasted’ or ‘Blessed’ various places, people, and things, sometimes blasting and blessing the same thing. The shocking pink cover is split by the title, which is strikingly positioned diagonally from top left to bottom right and appears in large black caps. Pound referred to the ‘new Futurist, Cubist, Imagiste quarterly’ as the ‘great MAGENTA cover’d opusculus [small or minor work].’
Creator
An entity primarily responsible for making the resource
Edited by Wyndham Lewis
Publisher
An entity responsible for making the resource available
Santa Rosa, California: Black Sparrow Press
Date
A point or period of time associated with an event in the lifecycle of the resource
1981
Identifier
An unambiguous reference to the resource within a given context
Special Collections PR6023 E97 Z5 B52 1981
Title
A name given to the resource
Blast 1 [June 20th, 1914]
Blast
Modernism
Wyndham Lewis
-
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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4959
Height
3383
Bit Depth
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
<em>Blast</em> is the <em>Review of the Great English Vortex</em>, the journal of the short-lived Vorticist art movement. <em>Blast 1</em> features the movement’s manifesto and work contributed by Ezra Pound, Ford Maddox Hueffer (Ford), sculptor Henri Gaudier-Brzeska, and others, under editor Wyndham Lewis. It employs bold graphic design and inventive typography to arrest the reader’s attention.
Creator
An entity primarily responsible for making the resource
Edited by Wyndham Lewis
Publisher
An entity responsible for making the resource available
Santa Rosa, California: Black Sparrow Press
Date
A point or period of time associated with an event in the lifecycle of the resource
1981
Identifier
An unambiguous reference to the resource within a given context
Special Collections PR6023 E97 Z5 B52 1981
Title
A name given to the resource
Blast 1 [June 20th, 1914]
Modernism
Wyndham Lewis
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
The cover of <em>Blast 2</em> is characteristic of Vorticism’s endeavour to capture the energy and urban, industrialised nature of the modern world.
Creator
An entity primarily responsible for making the resource
Edited by Wyndham Lewis
Publisher
An entity responsible for making the resource available
Santa Barbara, California: Black Sparrow Press
Date
A point or period of time associated with an event in the lifecycle of the resource
1981
Identifier
An unambiguous reference to the resource within a given context
Special Collections PR6023 E97 Z5 B52 1981
Title
A name given to the resource
Blast 2 [War Number, July 1915]
Blast
Modernism
Vorticism
Wyndham Lewis
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
<em></em>Cover of <em>Blast 3</em>
Creator
An entity primarily responsible for making the resource
Edited by Wyndham Lewis
Publisher
An entity responsible for making the resource available
Santa Barbara, California: Black Sparrow Press
Date
A point or period of time associated with an event in the lifecycle of the resource
1984
Identifier
An unambiguous reference to the resource within a given context
Special Collections PR6023 E97 Z5 B52 1981
Title
A name given to the resource
Blast 3
Blast
Modernism
Wyndham Lewis
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Described by T. S. Eliot as ‘the inventor of Chinese poetry for our time,’ Pound brought classical Chinese poetry to a modern English-speaking audience. As with the troubadours and Provençal poets, Pound revived Chinese poetic practice, inventively interpreting the poetry and revealing his own poetic sensibility and linguistic gifts. Using Ernest Fenollosa’s notes, Pound ‘translated’ poems by ‘Rihaku’ (Li Bai or Li Po) into elegantly simple English. Pound’s graceful poems are collected in this handsome volume, <em>Cathay</em>.
Creator
An entity primarily responsible for making the resource
Translated by Ezra Pound
Publisher
An entity responsible for making the resource available
London: Elkin Mathews
Date
A point or period of time associated with an event in the lifecycle of the resource
1915
Identifier
An unambiguous reference to the resource within a given context
Brasch PL2671 A27
Title
A name given to the resource
Cathay
Ezra Pound
Modernism
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
A leading figure in the Irish Literary Revival, Yeats made new material drawn from Irish myth and folklore. In <em>Cathleen ni Hoolihan</em>, Yeats uses an allegorical figure from Jacobite poetry: Cathleen ni Hoolihan as Ireland. She first appears as ‘The Poor Old Woman,’ who complains that her land has been taken from her, and she wants it back. While any man who helps her sacrifices everything, he ‘shall be remembered forever.’ Leaving the cottage, she is transformed into ‘a young girl’ with ‘the walk of a queen.’
Creator
An entity primarily responsible for making the resource
W. B. Yeats
Publisher
An entity responsible for making the resource available
London: A. H. Bullen
Date
A point or period of time associated with an event in the lifecycle of the resource
1902
Identifier
An unambiguous reference to the resource within a given context
Brasch PR5904 C37
Title
A name given to the resource
Cathleen ni Hoolihan: A Play in One Act and in Prose
Modernism
W. B. Yeats
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
While it is written in plain language, Edwin Muir’s poetry is often parabolic. When he moved with his family from Orkney to Glasgow, Muir left behind unspoilt Eden and journeyed into the fallen world and was disturbed by what he found there. In his writing, he creates narratives of journeys and labyrinths, good and evil, alienation and paradox, life and death. In <em>Varieties of Parable</em>, MacNeice comments on the metaphorical nature of Muir’s journeys and places and the ‘dream quality’ of his most successful poems.
Creator
An entity primarily responsible for making the resource
Edwin Muir
Publisher
An entity responsible for making the resource available
London: Faber and Faber
Date
A point or period of time associated with an event in the lifecycle of the resource
1960
Identifier
An unambiguous reference to the resource within a given context
Brasch PR6025 U6 A17 1960
Title
A name given to the resource
Collected Poems
Modernism
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Cover of T. S. Eliot's <em>Collected Poems</em>
Creator
An entity primarily responsible for making the resource
T. S. Eliot
Publisher
An entity responsible for making the resource available
London: Faber and Faber
Date
A point or period of time associated with an event in the lifecycle of the resource
1936
Identifier
An unambiguous reference to the resource within a given context
Brasch PS3509 L43 A17 1936
Title
A name given to the resource
Collected Poems, 1909–1935
Modernism
T. S. Eliot
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
In Canto III of the <em>Inferno</em>, Dante describes the dark and desolate plain which lies between Hell’s gate and the river Acheron. Upon this plain, the souls of the damned tumultuously wail and cry and futilely chase after a whirling banner; having lived lives devoid of spiritual meaning, they cannot cross into death’s true realms. Drawn from Dante and reflecting the spiritual emptiness of modern existence, Eliot’s hollow men gather in ‘the dead land’ beside the river but cannot cross into ‘death’s other kingdom.’
Creator
An entity primarily responsible for making the resource
T. S. Eliot
Publisher
An entity responsible for making the resource available
London: Faber and Faber
Date
A point or period of time associated with an event in the lifecycle of the resource
1936
Identifier
An unambiguous reference to the resource within a given context
Brasch PS3509 L43 A17 1936
Title
A name given to the resource
Collected Poems, 1909–1935
Modernism
T. S. Eliot
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Like Pound and James Joyce, Eliot was greatly influenced by Dante’s works, particularly <em>The Divine Comedy</em>. He considered Dante’s poetry ‘the one universal school of style’ for writing poetry in any language; no other poet ‘stands so firmly as a model for all poets.’ In Dante’s writing, Eliot found ‘lessons for the present time,’ and he admired the way Dante combined style with spiritual direction. In his own work, Eliot attempted to translate the medieval into the modern in order to renovate, restore, and renew.
Creator
An entity primarily responsible for making the resource
T. S. Eliot
Publisher
An entity responsible for making the resource available
London: Faber and Faber
Date
A point or period of time associated with an event in the lifecycle of the resource
1929
Identifier
An unambiguous reference to the resource within a given context
Brasch PQ4390 ED6
Title
A name given to the resource
Dante. Poets on the Poets 2
Dante
Modernism
T. S. Eliot
The Divine Comedy
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
The story of Deirdre was originally part of the medieval Ulster Cycle.
Creator
An entity primarily responsible for making the resource
W. B. Yeats
Publisher
An entity responsible for making the resource available
Stratford-upon-Avon: Shakespeare Head Press
Date
A point or period of time associated with an event in the lifecycle of the resource
1914
Identifier
An unambiguous reference to the resource within a given context
Special Collections PR5904 D4 1914
Title
A name given to the resource
Deirdre
Modernism
W. B. Yeats
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
___
Creator
An entity primarily responsible for making the resource
M. C. Escher
Publisher
An entity responsible for making the resource available
___
Date
A point or period of time associated with an event in the lifecycle of the resource
[1953]
Identifier
An unambiguous reference to the resource within a given context
___
Title
A name given to the resource
Dyson Sphere
Dyson Sphere
Modernism
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
<em>Buile Suibhne</em> (<em>The Madness/Frenzy of Sweeny</em>) tells the story of Sweeny, pagan King of Dal Araidhe in Ulster, whose ill-tempered actions are punished with a curse. Sweeny becomes mad and travels through Ireland, living in tree tops like a bird and composing poems about his location and fate. As ‘Suibne in the Woods’ opens, Sweeny comes to rest on a branch.
Creator
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Edited and translated by Gerard Murphy
Publisher
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Oxford: Clarendon Press
Date
A point or period of time associated with an event in the lifecycle of the resource
1956
Identifier
An unambiguous reference to the resource within a given context
Central PB1351 E33
Title
A name given to the resource
Early Irish Lyrics: Eighth to Twelfth Century
Modernism
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Width
4652
Height
3560
Bit Depth
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Channels
3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Richard Aldington knew Pound and Eliot personally. He and Pound persuaded Harriet Weaver to appoint Eliot as Pound’s successor at <em>The Egoist</em>, and Aldington worked with Pound to get Eliot out of his day job so that he could write full-time. Years later, Aldington wrote this lecture on Pound and Eliot. In it, he criticises Eliot for his pessimism and for borrowing from sources without acknowledging them. Here, Aldington discusses Dante and the epigraph in <em>The Waste Land</em>.
Creator
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Richard Aldington
Publisher
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Reading, Berkshire: The Peacocks Press
Date
A point or period of time associated with an event in the lifecycle of the resource
1954
Identifier
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Special Collections PS3531 O82 Z5 AB47
Title
A name given to the resource
Ezra Pound and T. S. Eliot: A Lecture
Ezra Pound
Modernism
Richard Aldington
T. S. Eliot
The Waste Land
-
https://ourheritage.ac.nz/files/original/e1be79d3d90de20c4cc447a300e31807.jpg
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Width
3672
Height
2589
Bit Depth
8
Channels
3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Joyce greatly admired <em>The Book of Kells</em>, and its playfulness and rich beauty influenced his work. In <em>Finnegans Wake</em>, he describes the Tunc page in <em>The</em> <em>Book of Kells</em> which is the right-hand plate in the previous image.
Creator
An entity primarily responsible for making the resource
James Joyce
Publisher
An entity responsible for making the resource available
London: Faber and Faber
Date
A point or period of time associated with an event in the lifecycle of the resource
1960
Identifier
An unambiguous reference to the resource within a given context
Central PR6019 O9 F59 1960
Title
A name given to the resource
Finnegans Wake
Finnegans Wake
James Joyce
Modernism
-
https://ourheritage.ac.nz/files/original/dd8521fceaf483b235ec3afa972f770a.jpg
acaf045bf553bdd8ee4d7cf10dc5c303
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Width
4363
Height
3408
Bit Depth
8
Channels
3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
While writing <em>Les Fleurs du Mal</em>, Charles Baudelaire kept on his desk two inspirational art works: a set of engravings by Alfred Rethel depicting a more modern, ironic, and hostile <em>Danse Macabre</em>; and a skeleton statuette sculpted by Ernest Christophe. With left hand positioned jauntily on her hip, the female skeleton wears a gown, is garlanded with flowers, and, right arm slightly bent, cradles a mask of flesh, looking as though she were about to attend a masquerade. In his poem ‘Danse Macabre,’ Baudelaire’s skeletal coquette is perfumed, elegant, and alluring as she leads humanity in a grotesque<em> Danse Macabre</em>.
Creator
An entity primarily responsible for making the resource
Charles Baudelaire
Publisher
An entity responsible for making the resource available
New York: Printed for the Members of the Limited Editions Club
Date
A point or period of time associated with an event in the lifecycle of the resource
1971
Identifier
An unambiguous reference to the resource within a given context
Special Collections PQ2191 F6 A2 1971
Title
A name given to the resource
Flowers of Evil
Charles Baudelaire
Dance of Death
Modernism