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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
The Fisher King reappears as Jake in Ernest Hemingway’s<em> The Sun Also Rises</em>. In Grail legends, the Fisher King is wounded in his leg or groin, leaving him impotent and his land infertile, and he spends his time near his castle fishing. Yet the King and his kingdom can be healed if a questing knight asks the right question. Hemingway’s Jake was wounded in the groin in WWI, and his post-war life becomes meaningless. He is able to establish order in his life and potentially redeem and heal himself by going fishing.
Creator
An entity primarily responsible for making the resource
Ernest Hemingway
Publisher
An entity responsible for making the resource available
New York: Charles Scribner’s Sons
Date
A point or period of time associated with an event in the lifecycle of the resource
1927
Identifier
An unambiguous reference to the resource within a given context
Special Collections PS3515 E37 S9 1927
Title
A name given to the resource
The Sun Also Rises
Ernest Hemingway
Modernism
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Cover of T. S. Eliot's <em>The Waste Land</em>
Creator
An entity primarily responsible for making the resource
T. S. Eliot (Edited by Valerie Eliot)
Publisher
An entity responsible for making the resource available
London: Faber and Faber
Date
A point or period of time associated with an event in the lifecycle of the resource
1971
Identifier
An unambiguous reference to the resource within a given context
Brasch PS3509 L43 W3 1971
Title
A name given to the resource
The Waste Land: A Facsimile and Transcript of the Original Drafts Including the Annotations of Ezra Pound
Modernism
T. S. Eliot
The Waste Land
-
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Eliot recycles romance and the Grail legend in his modernist masterpiece <em>The Waste Land</em>. Influenced by Jessie Weston’s <em>From Ritual to Romance</em>, Eliot takes readers on a journey across the waste land of the modern world. In the concluding stanzas, he holds out hope of rebirth and healing, as his Fisher King sits, with ‘the arid plain’ behind him, fishing, asking the right question, and preparing to set his lands in order. Eliot’s published poem owes much to the editing work of Pound, whose changes can be seen in this annotated facsimile and transcript of Eliot’s original drafts.
Creator
An entity primarily responsible for making the resource
T. S. Eliot (Edited by Valerie Eliot)
Publisher
An entity responsible for making the resource available
London: Faber and Faber
Date
A point or period of time associated with an event in the lifecycle of the resource
1971
Identifier
An unambiguous reference to the resource within a given context
Brasch PS3509 L43 W3 1971
Title
A name given to the resource
The Waste Land: A Facsimile and Transcript of the Original Drafts Including the Annotations of Ezra Pound
Modernism
T. S. Eliot
The Waste Land
-
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
<em>The Waste Land</em> was published first in <em>The Criterion</em> in 1922 and in this first English edition the following year. It is open to the Chapel Perilous passage in Part V. In romance, knights who seek the Grail must enter this frightening and dangerous place and be tested by supernatural forces. Eliot’s chapel, however, is empty; it is home only to the wind. Rather than being an obstacle to the quester, the benign chapel offers hope: a cock crows, lightning flashes, and a gust brings rain to the parched land.
Creator
An entity primarily responsible for making the resource
T. S. Eliot
Publisher
An entity responsible for making the resource available
Richmond: Printed and Published by Leonard and Virginia Woolf at the Hogarth Press
Date
A point or period of time associated with an event in the lifecycle of the resource
1923
Identifier
An unambiguous reference to the resource within a given context
Special Collections PS3509 L43 W3 1923
Title
A name given to the resource
The Waste Land
Modernism
T. S. Eliot
The Waste Land
-
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Photograph of T. S. Eliot (1910). From the book <em>The Letters of T. S. Eliot. Vol. I 1898–1922</em>
Creator
An entity primarily responsible for making the resource
Edited by Valerie Eliot
Publisher
An entity responsible for making the resource available
London: Faber and Faber
Date
A point or period of time associated with an event in the lifecycle of the resource
1988
Identifier
An unambiguous reference to the resource within a given context
Central PS3509 L43 Z5 A4
Title
A name given to the resource
The Letters of T. S. Eliot. Vol. I 1898–1922
Modernism
T. S. Eliot
-
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The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
<em></em>Cover of <em>The Book of Kells</em>
Creator
An entity primarily responsible for making the resource
___
Publisher
An entity responsible for making the resource available
London: Studio
Date
A point or period of time associated with an event in the lifecycle of the resource
1914
Identifier
An unambiguous reference to the resource within a given context
Central PYP Sul. Hewitson Library, Knox College, Dunedin
Title
A name given to the resource
The Book of Kells
Book of Kells
James Joyce
Modernism
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
<em>The Book of Kells</em> (ca. 800 AD) is a magnificent and vibrantly coloured illuminated manuscript of the Gospels. Its ornate pages combine Celtic knots and interlacing with intricate figures of animals, humans, and mythical beasts. Joyce was familiar with this particular edition; it is likely the one he carried with him around Europe. He wrote to Arthur Power: ‘In all the places I have been to, Rome, Zurich, Trieste, I have taken it about with me, and have pored over its workmanship for hours … some of the big initial letters which swing right across a page have the essential quality of a chapter of <em>Ulysses</em>. Indeed, you can compare much of my work to the intricate illuminations.’
Creator
An entity primarily responsible for making the resource
___
Publisher
An entity responsible for making the resource available
London: Studio
Date
A point or period of time associated with an event in the lifecycle of the resource
1914
Identifier
An unambiguous reference to the resource within a given context
Central PYP Sul. Hewitson Library, Knox College, Dunedin
Title
A name given to the resource
The Book of Kells
Modernism
The Book of Kells
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Joyce greatly admired <em>The Book of Kells</em>, and its playfulness and rich beauty influenced his work. In <em>Finnegans Wake</em>, he describes the Tunc page in <em>The</em> <em>Book of Kells</em> which is the right-hand plate in the previous image.
Creator
An entity primarily responsible for making the resource
James Joyce
Publisher
An entity responsible for making the resource available
London: Faber and Faber
Date
A point or period of time associated with an event in the lifecycle of the resource
1960
Identifier
An unambiguous reference to the resource within a given context
Central PR6019 O9 F59 1960
Title
A name given to the resource
Finnegans Wake
Finnegans Wake
James Joyce
Modernism
-
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The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
In 1932, Joyce republished <em>Pomes Penyeach</em> as a limited edition volume. In this later, handcrafted book, he imitated the work of medieval monks, handwriting the text of the poems and using his daughter Lucia’s illuminations of the initial letters for each poem.
Creator
An entity primarily responsible for making the resource
James Joyce
Publisher
An entity responsible for making the resource available
Paris: Shakespeare Company
Date
A point or period of time associated with an event in the lifecycle of the resource
1927
Identifier
An unambiguous reference to the resource within a given context
Brasch PR6019 O9 P5
Title
A name given to the resource
Pomes Penyeach
James Joyce
Modernism
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
<em>Buile Suibhne</em> (<em>The Madness/Frenzy of Sweeny</em>) tells the story of Sweeny, pagan King of Dal Araidhe in Ulster, whose ill-tempered actions are punished with a curse. Sweeny becomes mad and travels through Ireland, living in tree tops like a bird and composing poems about his location and fate. As ‘Suibne in the Woods’ opens, Sweeny comes to rest on a branch.
Creator
An entity primarily responsible for making the resource
Edited and translated by Gerard Murphy
Publisher
An entity responsible for making the resource available
Oxford: Clarendon Press
Date
A point or period of time associated with an event in the lifecycle of the resource
1956
Identifier
An unambiguous reference to the resource within a given context
Central PB1351 E33
Title
A name given to the resource
Early Irish Lyrics: Eighth to Twelfth Century
Modernism
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Flann O’Brien (Brian O’Nolan) includes his own translations of <em>Buile Suibhne</em> in <em>At Swim-Two-Birds</em>.
Creator
An entity primarily responsible for making the resource
Flann O’Brien
Publisher
An entity responsible for making the resource available
London: MacGibbon & Kee
Date
A point or period of time associated with an event in the lifecycle of the resource
1960
Identifier
An unambiguous reference to the resource within a given context
Brasch PR6029 N56 A93 1960
Title
A name given to the resource
At Swim-Two-Birds
Modernism
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
A leading figure in the Irish Literary Revival, Yeats made new material drawn from Irish myth and folklore. In <em>Cathleen ni Hoolihan</em>, Yeats uses an allegorical figure from Jacobite poetry: Cathleen ni Hoolihan as Ireland. She first appears as ‘The Poor Old Woman,’ who complains that her land has been taken from her, and she wants it back. While any man who helps her sacrifices everything, he ‘shall be remembered forever.’ Leaving the cottage, she is transformed into ‘a young girl’ with ‘the walk of a queen.’
Creator
An entity primarily responsible for making the resource
W. B. Yeats
Publisher
An entity responsible for making the resource available
London: A. H. Bullen
Date
A point or period of time associated with an event in the lifecycle of the resource
1902
Identifier
An unambiguous reference to the resource within a given context
Brasch PR5904 C37
Title
A name given to the resource
Cathleen ni Hoolihan: A Play in One Act and in Prose
Modernism
W. B. Yeats
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
The story of Deirdre was originally part of the medieval Ulster Cycle.
Creator
An entity primarily responsible for making the resource
W. B. Yeats
Publisher
An entity responsible for making the resource available
Stratford-upon-Avon: Shakespeare Head Press
Date
A point or period of time associated with an event in the lifecycle of the resource
1914
Identifier
An unambiguous reference to the resource within a given context
Special Collections PR5904 D4 1914
Title
A name given to the resource
Deirdre
Modernism
W. B. Yeats
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
W. B. Yeats’ fictional character Owen ‘Red’ Hanrahan is based on the Irish bard Owen Roe O’Sullivan. To create his wandering hedge-schoolmaster, Yeats draws on the bardic tradition and folklore surrounding the legendary O’Sullivan. In the 1920s, Yeats republished the collected stories of his Owen. Impressed by Norah McGuinness’ stage design for a production of one of his plays, Yeats invited her to illustrate the stories with Modernist paintings employing a style influenced by Byzantine art.
Creator
An entity primarily responsible for making the resource
W. B. Yeats
Publisher
An entity responsible for making the resource available
London: Macmillan
Date
A point or period of time associated with an event in the lifecycle of the resource
1927
Identifier
An unambiguous reference to the resource within a given context
Brasch PR5904 S76 1927
Title
A name given to the resource
Stories of Red Hanrahan and The Secret Rose
Modernism
W. B. Yeats
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
James Joyce uses classical mythology as a framework for <em>Ulysses</em>. He transposes characters and episodes from Homer’s <em>Odyssey</em> to Dublin on 16 June 1904. Homer’s heroic central characters, Odysseus/Ulysses, Penelope, and Telemachus, become the more ordinary, less heroic Leopold and Molly Bloom and Stephen Dedalus. Homer’s ever-changing Mediterranean setting is replaced by the squalor and monotony of modern Dublin. While writing the novel, Joyce gave the chapters classical titles (Nestor, Proteus, Cyclops, etc.), but he cut these before the text was published.
Creator
An entity primarily responsible for making the resource
James Joyce
Publisher
An entity responsible for making the resource available
Paris: Shakespeare and Company
Date
A point or period of time associated with an event in the lifecycle of the resource
May 1927
Identifier
An unambiguous reference to the resource within a given context
Brasch PR6019 O9 U422
Title
A name given to the resource
Ulysses
James Joyce
Modernism
Ulysses
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
<em>Mornings in Mexico</em> is a collection of travel essays, which incorporates Mexican myth and history. In the first essay, D. H. Lawrence describes two malevolent parrots as they mimic the yapping of a dog, and Corasmin, the ‘little fat, curly white dog,’ who appears resigned to their shrieking – and the heat and his fleas. The narrator realises that the thoughts he is projecting onto Corasmin belong to a different cycle of evolution. Quickly rejecting the evolutionary view, he prefers the Aztec account of successive suns and the convulsive ‘bang’ of history.
Creator
An entity primarily responsible for making the resource
D. H. Lawrence
Publisher
An entity responsible for making the resource available
London: Martin Secker
Date
A point or period of time associated with an event in the lifecycle of the resource
1927
Identifier
An unambiguous reference to the resource within a given context
Brasch PR6023 A93 M67
Title
A name given to the resource
Mornings in Mexico
D. H. Lawrence
Modernism
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Welsh poet David Jones defines<em> anathemata</em> as things ‘made over to the gods,’ things devoted, donated, and dedicated. He records fragments and remains of cultural traditions, from the rituals of Mass to Rugby Union rules. His materials come from British and European myth, literature, history, and legend, and he acknowledges the composite tradition of Britain, with its Celtic, Imperial Roman, Saxon, and Christian roots. <em>The Anathemata</em> is a complex, allusive poem exploring cultural artefacts and themes of empire and resistance.
Creator
An entity primarily responsible for making the resource
David Jones
Publisher
An entity responsible for making the resource available
London: Faber and Faber
Date
A point or period of time associated with an event in the lifecycle of the resource
1952
Identifier
An unambiguous reference to the resource within a given context
Brasch PR6019 O53 A8
Title
A name given to the resource
The Anathemata: Fragments of an Attempted Writing
Modernism
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Neoplatonism is a philosophical tradition which can be traced back to the third-century philosopher Plotinus. Chiefly influenced by Plato, Plotinus taught the concept of ‘the One’ beyond being and non-being. He identifies his transcendent One as the source of life and with Good and Beauty. Plotinus’ writings inspired medieval mystics and theologians, Renaissance philosophers, and modernist poets. His translator G. R. S. Mead called for a return to Plotinean values and asked that his readers find in Plotinus ‘a guide’ to ‘lead us by a safe path to … supernal realms.’
Creator
An entity primarily responsible for making the resource
Plotinus
Publisher
An entity responsible for making the resource available
London: Bell
Date
A point or period of time associated with an event in the lifecycle of the resource
1914
Identifier
An unambiguous reference to the resource within a given context
Brasch B693 A4 E5 1914
Title
A name given to the resource
Select Works of Plotinus
Modernism
Plotinus
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Plotinus’ influence can be seen in Yeats’ poem ‘Among School Children.’ In the final line, Yeats asks, ‘How can we know the dancer from the dance?’ He models his question on Plotinus’ discussion of the One as containing no division or distinction; the One is beyond any distinction between subject and object and between knower and the known. Yeats’ image of the dancer and the dance is an image of unity and inseparability in a moment in time.
Creator
An entity primarily responsible for making the resource
W. B. Yeats
Publisher
An entity responsible for making the resource available
London: Macmillan
Date
A point or period of time associated with an event in the lifecycle of the resource
1950
Identifier
An unambiguous reference to the resource within a given context
Brasch PR5900 A17 1950
Title
A name given to the resource
The Collected Poems of W. B. Yeats
Modernism
W. B. Yeats
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
<em>A</em> <em>Vision</em> is a curious philosophical, historical, and astrological work. As the subtitle suggests, Yeats claims as his sources Qusta ibn Luqa (820–912) and one ‘Giraldus,’ whose book was printed in Cracow in 1594 and whose portrait faces the title page. Yeats’ Giraldus is a ‘mask,’ a fiction, whose philosophy and identity is in keeping with Renaissance neoplatonists, and<em> A Vision</em> amalgamates ideas Yeats collected from neoplatonism, astrology, occult literature, and Eastern religion. Six hundred copies of this edition were numbered and signed; this copy is no. 437.
Creator
An entity primarily responsible for making the resource
W. B. Yeats
Publisher
An entity responsible for making the resource available
London: Privately Printed for Subscribers only by T. Werner Laurie
Date
A point or period of time associated with an event in the lifecycle of the resource
1925
Identifier
An unambiguous reference to the resource within a given context
Brasch PR5904 V53
Title
A name given to the resource
A Vision: An Explanation of Life Founded upon the Writings of Giraldus and upon Certain Doctrines Attributed to Kusta Ben Luka
Modernism
W. B. Yeats
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Photograph of W. B. Yeats (1910). From the book <em>The Verse Revolutionaries: Ezra Pound, H.D. and The Imagists</em>
Creator
An entity primarily responsible for making the resource
Helen Carr
Publisher
An entity responsible for making the resource available
London: Jonathan Cape
Date
A point or period of time associated with an event in the lifecycle of the resource
2009
Identifier
An unambiguous reference to the resource within a given context
Central PR605 I6 C943
Title
A name given to the resource
The Verse Revolutionaries: Ezra Pound, H.D. and The Imagists
Modernism
W. B. Yeats
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
<em></em>Cover of Hans Holbein's <em>Bilder des Todes</em>
Creator
An entity primarily responsible for making the resource
Hans Holbein
Publisher
An entity responsible for making the resource available
Leipzig: Insel-Verlag
Date
A point or period of time associated with an event in the lifecycle of the resource
1917
Identifier
An unambiguous reference to the resource within a given context
Brasch NE1150.5 HP94 A4 1917
Title
A name given to the resource
Bilder des Todes
Hans Holbein
Modernism
-
https://ourheritage.ac.nz/files/original/37992320a86b193a058950afdb8b33b4.jpg
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
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Bit Depth
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
<em>Danse Macabre</em> (the Dance of Death) is a medieval motif of death’s universality. The Dance of Death unites the whole of humanity, regardless of the position one may hold in life. In Hans Holbein’s woodcuts, Death accosts all manner of people: no one can escape his bony grasp. In ‘Der Artzet’ (The Physician), Death takes the elderly doctor by the hand and places a flask in the outstretched hand of the younger man on the left, who will continue the physician’s work. In ‘Der Münch’ (The Monk), the holy man tries to do a runner, but Death catches him by the cowl.
Creator
An entity primarily responsible for making the resource
Hans Holbein
Publisher
An entity responsible for making the resource available
Leipzig: Insel-Verlag
Date
A point or period of time associated with an event in the lifecycle of the resource
1917
Identifier
An unambiguous reference to the resource within a given context
Brasch NE1150.5 HP94 A4 1917
Title
A name given to the resource
Bilder des Todes
Dance of Death
Hans Holbein
Modernism
-
https://ourheritage.ac.nz/files/original/dd8521fceaf483b235ec3afa972f770a.jpg
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Width
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Bit Depth
8
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
While writing <em>Les Fleurs du Mal</em>, Charles Baudelaire kept on his desk two inspirational art works: a set of engravings by Alfred Rethel depicting a more modern, ironic, and hostile <em>Danse Macabre</em>; and a skeleton statuette sculpted by Ernest Christophe. With left hand positioned jauntily on her hip, the female skeleton wears a gown, is garlanded with flowers, and, right arm slightly bent, cradles a mask of flesh, looking as though she were about to attend a masquerade. In his poem ‘Danse Macabre,’ Baudelaire’s skeletal coquette is perfumed, elegant, and alluring as she leads humanity in a grotesque<em> Danse Macabre</em>.
Creator
An entity primarily responsible for making the resource
Charles Baudelaire
Publisher
An entity responsible for making the resource available
New York: Printed for the Members of the Limited Editions Club
Date
A point or period of time associated with an event in the lifecycle of the resource
1971
Identifier
An unambiguous reference to the resource within a given context
Special Collections PQ2191 F6 A2 1971
Title
A name given to the resource
Flowers of Evil
Charles Baudelaire
Dance of Death
Modernism
-
https://ourheritage.ac.nz/files/original/ae6b456c6e3d721206d1c35782bdcba4.jpg
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Width
3424
Height
2588
Bit Depth
8
Channels
3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Make It New! Modernism & the Medieval Presence. Online exhibition
Description
An account of the resource
The phrase 'Make it New' is frequently used in defining a key feature of modernism – its novelty – and is often regarded as influential and foundational in the development of modernist aesthetics. Yet when Ezra Pound employed the phrase for the first time in 1928, modernism’s major works had already appeared, and decades would pass before 'Make It New' gained significance and became a catchphrase and slogan. 'Make It New' was Pound's rendering of a passage in Da Xue, a historical Chinese text. Influenced by Christian belief as well, 'Make It New' became a model of change, of renaissance and renewal, in which the new is not simply a return to the old. Drawing on the work of those who have gone before, Making It New is a process of historical recycling, quotation, and re-arrangement.
In this exhibition, you will see examples of modernist writers Making It New, and it focuses on modernists who re-inscribe medieval elements, including medieval forms, themes, and narratives. It highlights the holdings of the University of Otago Libraries, in particular the treasures of the Charles Brasch collection. Please enjoy.
Contributor
An entity responsible for making contributions to the resource
Various collectors
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Abstract
A summary of the resource.
Title page of Katherine Anne Porter's <em>Ship of Fools</em>.
Creator
An entity primarily responsible for making the resource
Katherine Anne Porter
Publisher
An entity responsible for making the resource available
Boston: Little, Brown
Date
A point or period of time associated with an event in the lifecycle of the resource
1962
Identifier
An unambiguous reference to the resource within a given context
Central PS3531 O752 S5
Title
A name given to the resource
Ship of Fools
Modernism
Ship of Fools